Showing posts with label Book Excerpts. Show all posts
Showing posts with label Book Excerpts. Show all posts

Tuesday, March 4, 2014

Free Ebook: How to Read Lacan by Slavoj Zizek


http://www.amazon.com/gp/product/0393329550/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0393329550&linkCode=as2&tag=permacmedia-20
The How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon. These books use excerpts from the major texts to explain essential topics, such as Jacques Lacan's core ideas about enjoyment, which re-created our concept of psychoanalysis.

Lacan’s motto of the ethics of psychoanalysis involves a profound paradox. Traditionally, psychoanalysis was expected to allow the patient to overcome the obstacles which prevented access to "normal" sexual enjoyment; today, however, we are bombarded by different versions of the injunction "Enjoy!" Psychoanalysis is the only discourse in which you are allowed not to enjoy.

Slavoj Žižek’s passionate defense of Lacan reasserts Lacan’s ethical urgency. For Lacan, psychoanalysis is a procedure of reading and each chapter reads a passage from Lacan as a tool to interpret another text from philosophy, art or popular ideology.

Read online:

How to Read Lacan by Slavoj Zizek

1. Introduction

2. Empty Gestures and Performatives: Lacan Confronts the CIA Plot

3. The Interpassive Subject: Lacan Turns a Prayer Wheel

4. From Che vuoi? to Fantasy: Lacan with Eyes Wide Shut

5. Troubles with the Real: Lacan as a Viewer of Alien

6. Ego Ideal and Superego: Lacan as Viewer of Casablanca

7. "God is Dead, but He Doesn't Know It": Lacan Plays with Bobok

8. The Perverse Subject of Politics: Lacan as a Reader of Mohammad Bouyeri




Free Ebook: Organs without Bodies: On Deleuze and Consequences by Slavoj Zizek


http://www.amazon.com/gp/product/0415969212/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0415969212&linkCode=as2&tag=permacmedia-20
In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.

Read online here:

Organs without Bodies: On Deleuze and Consequences

1. The Reality of the Virtual

2. Becoming versus History

3. Becoming-machine

4. le siècle empiriomoniste

5. Quasi-Cause



Monday, March 3, 2014

First As Tragedy, Then As Farce



Buy First As Tragedy, Then As Farce here.

From the tragedy of 9/11 to the farce of the financial meltdown.

Billions of dollars have been hastily poured into the global banking system in a frantic attempt at financial stabilization. So why has it not been possible to bring the same forces to bear in addressing world poverty and environmental crisis?




http://www.amazon.com/gp/product/1844674282/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844674282&linkCode=as2&tag=permacmedia-20In this take-no-prisoners analysis, Slavoj Zizek frames the moral failures of the modern world in terms of the epoch-making events of the first decade of this century. What he finds is the old one-two punch of history: the jab of tragedy, the right hook of farce. In the attacks of 9/11 and the global credit crunch, liberalism dies twice: as a political doctrine and as an economic theory.

First as Tragedy, Then as Farce is a call for the Left to reinvent itself in the light of our desperate historical situation. The time for liberal, moralistic blackmail is over.

In Defense of Lost Causes



Buy In Defense of Lost Causes here.

Acclaimed, adrenalin-fuelled manifesto for universal values.

http://www.amazon.com/gp/product/1844674290/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844674290&linkCode=as2&tag=permacmedia-20
In this combative major new work, philosophical sharpshooter Slavoj Zizek looks for the kernel of truth in the totalitarian politics of the past.

Examining Heidegger's seduction by fascism and Foucault's flirtation with the Iranian Revolution, he suggests that these were the 'right steps in the wrong direction.' On the revolutionary terror of Robespierre, Mao and the bolsheviks, Zizek argues that while these struggles ended in historic failure and horror, there was a valuable core of idealism lost beneath the bloodshed.

A redemptive vision has been obscured by the soft, decentralized politics of the liberal-democratic consensus. Faced with the coming ecological crisis, Zizekk argues the case for revolutionary terror and the dictatorship of the proletariat. A return to past ideals is needed despite the risks. In the words of Samuel Beckett: 'Try again. Fail again. Fail better.'


The Parallax View



Buy The Parallax View here.

http://www.amazon.com/gp/product/0262512688/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0262512688&linkCode=as2&tag=permacmedia-20
The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.

Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Zizek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism.

The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.

The Abyss of Freedom/Ages of the World



Buy The Abyss of Freedom/Ages of the World here.

An essay by philosopher Slavoj Zizek, with an English translation of Schelling's beautiful and evocative Ages of the World, second draft

http://www.amazon.com/gp/product/0472066528/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0472066528&linkCode=as2&tag=permacmedia-20
In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.

Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.

The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory—which claims that the symbolic universe emerged from presymbolic drives—is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.

Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.

Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates



Buy Welcome to the Desert of the Real here.

http://www.amazon.com/gp/product/1781680191/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1781680191&linkCode=as2&tag=permacmedia-20
Probing beneath the level of TV punditry, Žižek offers a highly original and readable account that serves as a fascinating and insightful comprehension of the events of September 11.

Liberals and conservatives proclaim the end of the American holiday from history. Now the easy games are over; one should take sides. Žižek argues this is precisely the temptation to be resisted. In such moments of apparently clear choices, the real alternatives are most hidden. Welcome to the Desert of the Real steps back, complicating the choices imposed on us. It proposes that global capitalism is fundamentalist and that America was complicit in the rise of Muslim fundamentalism. It points to our dreaming about the catastrophe in numerous disaster movies before it happened, and explores the irony that the tragedy has been used to legitimize torture. Last but not least it analyzes the fiasco of the predominant leftist response to the events.

The Metastases of Enjoyment: On Women and Casuality



Buy The Metastases of Enjoyment here.

http://www.amazon.com/gp/product/1844670619/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844670619&linkCode=as2&tag=permacmedia-20
The status of women and the role of violence in contemporary culture and politics.

The experience of the Yugoslav war and the rise of "irrational" violence in contemporary societies provides the theoretical and political context of this book, which uses Lacanian psychoanalysis as the basis for a renewal of the Marxist theory of ideology. The author's analysis leads into a study of the figure of woman in modern art and ideology, including studies of The Crying Game and the films of David Lynch, and the links between violence and power/gender relations.

Looking Awry: An Introduction to Jacques Lacan Through Popular Culture



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http://www.amazon.com/gp/product/026274015X/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=026274015X&linkCode=as2&tag=permacmedia-20
Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead - a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.

Zizek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject - at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.Slavoj Zizek is a Researcher in the Institute of Sociology at the University of Ljubljana, Yugoslavia. His work has been published in France and in Yugoslavia where, running as a proreform candidate, he narrowly missed being elected to the presidency of the republic of Slovenia.
 

Sunday, March 2, 2014

Conversations with Zizek



Buy Conversations with Zizek here.

In this new book, Slavoj Žižek and Glyn Daly engage in a series of entertaining conversations which illustrate the originality of Žižek’s thinking on psychoanalysis, philosophy, multiculturalism, popular/cyber culture, totalitarianism, ethics and politics.
  • An excellent introduction to one of the most engaging and controversial cultural theorists writing today.
  • Žižek is a Slovenian sociologist who trained as a Lacanian and uses Lacan to analyse popular culture and politics.
  • Illustrates the originality of Žižek’s thinking on psychoanalysis, philosophy, multi-culturalism, popular/cyber culture, totalitarianism, ethics and politics.
  • Provides a unique glimpse of Žižek’s humour and character and offers new material and fresh perspectives which will be of interest to followers of Žižek’s writings.

http://www.amazon.com/gp/product/0745628974/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0745628974&linkCode=as2&tag=permacmedia-20
Table of Contents

Introduction.

1. Contexts and horizons: Opening the Space of Philosophy.

2. The Madness of Reason: Encounters of the Real Kind.

3. Subject of Modernity: Virtuality and the Fragility of the Real.

4. Tolerance and the Intolerable: Enjoyment, Ethics and Event.

5. Miracles do happen: Globalization(s) and Politics

The Indivisible Remainder: On Schelling and Related Matters



Buy The Indivisible Remainder here.

Confronts Schelling with Hegel, and illuminates popular culture and modern subjectivity.

The feature which distinguishes the great works of materialist thought, from Lucretius’ De rerum natura through Capital to the writings of Lacan, is their unfinished character: again and again they tackle their chosen problem. Schelling’s Weltalter drafts belong to this same series, with their repeated attempt at the formulation of the ‘beginning of the world,’ of the passage from the pre-symbolic pulsation of the Real to the universe of logos.

http://www.amazon.com/gp/product/1844675815/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844675815&linkCode=as2&tag=permacmedia-20
F.W.J. Schelling, the German idealist who for too long dwelled in the shadow of Kant and Hegel, was the first to formulate the post-idealist motifs of finitude, contingency and temporality. His unique work announces Marx's critique of speculative idealism, as well as the properly Freudian notion of drive, of a blind compulsion to repeat which can never be sublated in the ideal medium of language.

The Indivisible Remainder begins with a detailed examination of the two works in which Schelling's speculative audacity reached its peak: his essay on human freedom and his drafts on the “Ages of the World.” After reconstituting their line of argumentation, Slavoj Žižek confronts Schelling with Hegel, and concludes by throwing a Schellingian light on some “related matters”: the consequences of the computerization of daily life for sexual experience; cynicism as today's predominant form of ideology; the epistemological deadlocks of quantum physics.

Although the book is packed with examples from politics and popular culture — the unmistakable token of Žižek’s style — from Speed and Groundhog Day to Forrest Gump, it signals a major shift towards a systematic concern with the basic questions of philosophy and the roots of the crisis of our late-capitalist universe, centred around the enigma of modern subjectivity.

The Neighbor: Three Inquiries in Political Theology



Buy The Neighbor here.

In Civilization and Its Discontents, Freud made abundantly clear what he thought about the biblical injunction, first articulated in Leviticus 19:18 and then elaborated in Christian teachings, to love one's neighbor as oneself. “Let us adopt a naive attitude towards it,” he proposed, “as though we were hearing it for the first time; we shall be unable then to suppress a feeling of surprise and bewilderment.” After the horrors of World War II, the Holocaust, and Stalinism, Leviticus 19:18 seems even less conceivable—but all the more urgent now—than Freud imagined.

http://www.amazon.com/gp/product/022604520X/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=022604520X&linkCode=as2&tag=permacmedia-20
In The Neighbor, three of the most significant intellectuals working in psychoanalysis and critical theory collaborate to show how this problem of neighbor-love opens questions that are fundamental to ethical inquiry and that suggest a new theological configuration of political theory. Their three extended essays explore today's central historical problem: the persistence of the theological in the political. In “Toward a Political Theology of the Neighbor,” Kenneth Reinhard supplements Carl Schmitt’s political theology of the enemy and friend with a political theology of the neighbor based in psychoanalysis. In “Miracles Happen,” Eric L. Santner extends the book's exploration of neighbor-love through a bracing reassessment of Benjamin and Rosenzweig. And in an impassioned plea for ethical violence, Slavoj Žižek’s “Neighbors and Other Monsters” reconsiders the idea of excess to rehabilitate a positive sense of the inhuman and challenge the influence of Levinas on contemporary ethical thought.

A rich and suggestive account of the interplay between love and hate, self and other, personal and political, The Neighbor has proven to be a touchstone across the humanities and a crucial text for understanding the persistence of political theology in secular modernity.
 

The Puppet and the Dwarf: The Perverse Core of Christianity



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http://www.amazon.com/gp/product/0262740257/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0262740257&linkCode=as2&tag=permacmedia-20
Slavoj Zizek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy.

The Monstrosity of Christ: Paradox or Dialectic?



Buy The Monstrosity of Christ here.

What matters is not so much that Žižek is endorsing a demythologized, disenchanted Christianity without transcendence, as that he is offering in the end (despite what he sometimes claims) a heterodox version of Christian belief.
—John Milbank

To put it even more bluntly, my claim is that it is Milbank who is effectively guilty of heterodoxy, ultimately of a regression to paganism: in my atheism, I am more Christian than Milbank.
—Slavoj Žižek

http://www.amazon.com/gp/product/0262012715/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0262012715&linkCode=as2&tag=permacmedia-20
In this corner, philosopher Slavoj Žižek, who represents the critical-materialist stance against religion's illusions; in the other corner, "radical orthodox" theologian John Milbank, an influential and provocative thinker who argues that theology is the only foundation upon which knowledge, politics, and ethics can stand. In The Monstrosity of Christ, Žižek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have proven themselves worthy adversaries--and have also shown that faith and reason are not simply and intractably opposed.



Žižek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in The Monstrosity of Christ concerns nothing less than the future of religion, secularity, and political hope in light of a monsterful event—God becoming human. For the first time since Žižek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, universality, and the foundations of logic. The result goes far beyond the popularized atheist/theist point/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others.

Žižek begins, and Milbank answers, countering dialectics with "paradox." The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation.

Short Circuits series, edited by Slavoj Žižek

Opera's Second Death



Buy Opera's Second Death here.

http://www.amazon.com/gp/product/0415930170/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0415930170&linkCode=as2&tag=permacmedia-20
Opera's Second Death is a passionate exploration of opera - the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.

Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out



Buy Enjoy Your Symptom! here.

http://www.amazon.com/gp/product/0415772591/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0415772591&linkCode=as2&tag=permacmedia-20
The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch.

Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.

Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.

Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology



Buy Tarrying with the Negative here.

In the space of barely more than five years, with the publication of four pathbreaking books, Slavoj Zizek has earned the reputation of being one of the most arresting, insightful, and scandalous thinkers in recent memory. Perhaps more than any other single author, his writings have constituted the most compelling evidence available for recognizing Jacques Lacan as the preemient philosopher of our time.

http://www.amazon.com/gp/product/0822313952/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0822313952&linkCode=as2&tag=permacmedia-20
In Tarrying with the Negative, Zizek challenges the contemporary critique of ideology, and in doing so opens the way for a new understanding of social conflict, particularly the recent outbursts of nationalism and ethnic struggle. Are we, Zizek asks, confined to a postmodern universe in which truth is reduced to the contingent effect of various discursive practices and where our subjectivity is dispersed through a multitude of ideological positions? No is his answer, and the way out is a return to philosophy. This revisit to German Idealism allows Zizek to recast the critique of ideology as a tool for disclosing the dynamic of our society, a crucial aspect of which is the debate over nationalism, particularly as it has developed in the Balkans--Zizek's home. He brings the debate over nationalism into the sphere of contemporary cultural politics, breaking the impasse centered on nationalisms simultaneously fascistic and anticolonial aspirations. Provocatively, Zizek argues that what drives nationalistic and ethnic antagonism is a collectively driven refusal of our own enjoyment.

Using examples from popular culture and high theory to illuminate each other--opera, film noir, capitalist universalism, religious and ethnic fundamentalism--this work testifies to the fact that, far more radically than the postmodern sophists, Kant and Hegel are our contemporaries.

Iraq: The Borrowed Kettle



Buy Iraq: The Borrowed Kettle here.

Žižek analyzes the bizarre logic used to justify the attack on Iraq.

In order to render the strange logic of dreams, Freud quoted the old joke about the borrowed kettle: (1) I never borrowed a kettle from you, (2) I returned it to you unbroken, (3) the kettle was already broken when I got it from you. Such an enumeration of inconsistent arguments, of course, confirms exactly what it attempts to deny—that I returned a broken kettle to you.

http://www.amazon.com/gp/product/1844675408/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844675408&linkCode=as2&tag=permacmedia-20
That same inconsistency, Žižek argues, characterized the justification of the attack on Iraq: A link between Saddam’s regime and al-Qaeda was transformed into the threat posed by the regime to the region, which was then further transformed into the threat posed to everyone (but the US and Britain especially) by weapons of mass destruction. When no significant weapons were found, we were treated to the same bizarre logic: OK, the two labs we found don’t really prove anything, but even if there are no WMD in Iraq, there are other good reasons to topple a tyrant like Saddam ...

Iraq: The Borrowed Kettle – which can be considered as a sequel to Žižek's acclaimed post-9/11 Welcome to the Desert of the Real – analyzes the background that such inconsistent argumentation conceals and, simultaneously, cannot help but highlight: what were the actual ideological and political stakes of the attack on Iraq? In classic Žižekian style, it spares nothing and nobody, neither pathetically impotent pacifism nor hypocritical sympathy with the suffering of the Iraqi people.

The Plague of Fantasies by Slavoj Zizek



Buy The Plague of Fantasies here.

The relations between fantasy and ideology, and the deluge of digital phantasms surrounding us.

http://www.amazon.com/gp/product/1844673030/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1844673030&linkCode=as2&tag=permacmedia-20
Modern audiovisual media have spawned a 'plague of fantasies', electronically inspired phantasms that cloud the ability to reason and prevent a true understanding of a world increasingly dominated by abstractions—whether those of digital technology or the speculative market.

Into this arena, enters Žižek: equipped with an agile wit and the skills of a prodigious scholar, he confidently ranges among a dazzling array of cultural references—explicating Robert Schumann as deftly as he does John Carpenter—to demonstrate how the modern condition blinds us to the ideological basis of our lives.

Interrogating the Real by Slavoj Zizek



Buy Interrogating the Real here.

http://www.amazon.com/gp/product/1472514939/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1472514939&linkCode=as2&tag=permacmedia-20
Interrogating the Real is the first volume of the collected writings of Slavoj Žižek - undoubtedly one of the world's leading contemporary cultural commentators, and one of the most inspiring, provocative and entertaining cultural critics at work today. Drawing upon the full range of his prolific output, the articles here cover psychoanalysis, philosophy and popular culture, reflecting the remarkable breadth and depth of Žižek's interest in politics, culture and philosophy, and also showcasing his entertaining style. A full and clear sense of Žižekian philosophy emerges, derived from Hegelian dialectics, Marxist politics and Lacanian psychoanalysis. At the same time, Žižek's witty and accessible approach to his subject and his choice of exemplars from pop culture ensure that this is a consistently fresh and surprising body of work.

The book includes a new preface by Žižek himself, as well as an introduction by the editors and a helpful glossary for those coming to Žižek's work for the first time.


Table Of Contents

Preface by Slavoj Žižek
'The Thing Itself' Appears: Introducing the Work of Slavoj Žižek
Part One: Lacanian Orientations
1. The Society for Theoretical Psychoanalysis in Yugoslavia 2. Why Lavan is Hegelian
3. The Most Sublime of Hysterics: Hegel with Lacan
4. Connections of the Freudian Field to Philosophy and Popular Culture
5. Lacan between Cultural Studies and Cognitivism
Part Two: Philosophy Traversed by Psychoanalysis
6. The Limits of the Semiotic Approach to Psychoanalysis
7. A Hair of the Dog That Bit You
8. Hegel, Lacan, Deleuze: Three Strange Bedfellows
9. The Eclipse of Meaning: On Lacan and Deconstruction
10. The Parallax View Part Three: The Fantasy of Ideology 11. Between Symbolic Fiction and Fantasmic Spectre: Towards a Lacanian Theory of Ideology
12. Beyond Discourse Analysis
13. Re-visioning 'Lacanian' Social Criticism: The Law and its Obscene Double
14. Why is Wagner Worth Saving?
15. The Real of Sexual Difference
Glossary