Free Ebook: How to Read Lacan by Slavoj Zizek

The How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon. These books use excerpts from the major texts to explain essential topics, such as Jacques Lacan's core ideas about enjoyment, which re-created our concept of psychoanalysis.

Lacan’s motto of the ethics of psychoanalysis involves a profound paradox. Traditionally, psychoanalysis was expected to allow the patient to overcome the obstacles which prevented access to "normal" sexual enjoyment; today, however, we are bombarded by different versions of the injunction "Enjoy!" Psychoanalysis is the only discourse in which you are allowed not to enjoy.

Slavoj Žižek’s passionate defense of Lacan reasserts Lacan’s ethical urgency. For Lacan, psychoanalysis is a procedure of reading and each chapter reads a passage from Lacan as a tool to interpret another text from philosophy, art or popular ideology.

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How to Read Lacan by Slavoj Zizek

1. Introduction

2. Empty Gestures and Performatives: Lacan Confronts the CIA Plot

3. The Interpassive Subject: Lacan Turns a Prayer Wheel

4. From Che vuoi? to Fantasy: Lacan with Eyes Wide Shut

5. Troubles with the Real: Lacan as a Viewer of Alien

6. Ego Ideal and Superego: Lacan as Viewer of Casablanca

7. "God is Dead, but He Doesn't Know It": Lacan Plays with Bobok

8. The Perverse Subject of Politics: Lacan as a Reader of Mohammad Bouyeri

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Free Ebook: Organs without Bodies: On Deleuze and Consequences by Slavoj Zizek

In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.

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Organs without Bodies: On Deleuze and Consequences

1. The Reality of the Virtual

2. Becoming versus History

3. Becoming-machine

4. le siècle empiriomoniste

5. Quasi-Cause

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First As Tragedy, Then As Farce

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From the tragedy of 9/11 to the farce of the financial meltdown.

Billions of dollars have been hastily poured into the global banking system in a frantic attempt at financial stabilization. So why has it not been possible to bring the same forces to bear in addressing world poverty and environmental crisis?




In this take-no-prisoners analysis, Slavoj Zizek frames the moral failures of the modern world in terms of the epoch-making events of the first decade of this century. What he finds is the old one-two punch of history: the jab of tragedy, the right hook of farce. In the attacks of 9/11 and the global credit crunch, liberalism dies twice: as a political doctrine and as an economic theory.

First as Tragedy, Then as Farce is a call for the Left to reinvent itself in the light of our desperate historical situation. The time for liberal, moralistic blackmail is over.

In Defense of Lost Causes

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Acclaimed, adrenalin-fuelled manifesto for universal values.

In this combative major new work, philosophical sharpshooter Slavoj Zizek looks for the kernel of truth in the totalitarian politics of the past.

Examining Heidegger's seduction by fascism and Foucault's flirtation with the Iranian Revolution, he suggests that these were the 'right steps in the wrong direction.' On the revolutionary terror of Robespierre, Mao and the bolsheviks, Zizek argues that while these struggles ended in historic failure and horror, there was a valuable core of idealism lost beneath the bloodshed.

A redemptive vision has been obscured by the soft, decentralized politics of the liberal-democratic consensus. Faced with the coming ecological crisis, Zizekk argues the case for revolutionary terror and the dictatorship of the proletariat. A return to past ideals is needed despite the risks. In the words of Samuel Beckett: 'Try again. Fail again. Fail better.'

The Parallax View

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The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.

Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Zizek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism.

The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.

The Abyss of Freedom/Ages of the World

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An essay by philosopher Slavoj Zizek, with an English translation of Schelling's beautiful and evocative Ages of the World, second draft

In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.

Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.

The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory—which claims that the symbolic universe emerged from presymbolic drives—is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.

Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.

Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates

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Probing beneath the level of TV punditry, Žižek offers a highly original and readable account that serves as a fascinating and insightful comprehension of the events of September 11.

Liberals and conservatives proclaim the end of the American holiday from history. Now the easy games are over; one should take sides. Žižek argues this is precisely the temptation to be resisted. In such moments of apparently clear choices, the real alternatives are most hidden. Welcome to the Desert of the Real steps back, complicating the choices imposed on us. It proposes that global capitalism is fundamentalist and that America was complicit in the rise of Muslim fundamentalism. It points to our dreaming about the catastrophe in numerous disaster movies before it happened, and explores the irony that the tragedy has been used to legitimize torture. Last but not least it analyzes the fiasco of the predominant leftist response to the events.

The Metastases of Enjoyment: On Women and Casuality

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The status of women and the role of violence in contemporary culture and politics.

The experience of the Yugoslav war and the rise of "irrational" violence in contemporary societies provides the theoretical and political context of this book, which uses Lacanian psychoanalysis as the basis for a renewal of the Marxist theory of ideology. The author's analysis leads into a study of the figure of woman in modern art and ideology, including studies of The Crying Game and the films of David Lynch, and the links between violence and power/gender relations.

Looking Awry: An Introduction to Jacques Lacan Through Popular Culture

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Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead - a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.

Zizek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject - at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.Slavoj Zizek is a Researcher in the Institute of Sociology at the University of Ljubljana, Yugoslavia. His work has been published in France and in Yugoslavia where, running as a proreform candidate, he narrowly missed being elected to the presidency of the republic of Slovenia.
 

Conversations with Zizek

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In this new book, Slavoj Žižek and Glyn Daly engage in a series of entertaining conversations which illustrate the originality of Žižek’s thinking on psychoanalysis, philosophy, multiculturalism, popular/cyber culture, totalitarianism, ethics and politics.

• An excellent introduction to one of the most engaging and controversial cultural theorists writing today.
• Žižek is a Slovenian sociologist who trained as a Lacanian and uses Lacan to analyse popular culture and politics.
• Illustrates the originality of Žižek’s thinking on psychoanalysis, philosophy, multi-culturalism, popular/cyber culture, totalitarianism, ethics and politics.
• Provides a unique glimpse of Žižek’s humour and character and offers new material and fresh perspectives which will be of interest to followers of Žižek’s writings.

Table of Contents

Introduction.

1. Contexts and horizons: Opening the Space of Philosophy.

2. The Madness of Reason: Encounters of the Real Kind.

3. Subject of Modernity: Virtuality and the Fragility of the Real.

4. Tolerance and the Intolerable: Enjoyment, Ethics and Event.

5. Miracles do happen: Globalization(s) and Politics

The Indivisible Remainder: On Schelling and Related Matters

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Confronts Schelling with Hegel, and illuminates popular culture and modern subjectivity.

The feature which distinguishes the great works of materialist thought, from Lucretius’ De rerum natura through Capital to the writings of Lacan, is their unfinished character: again and again they tackle their chosen problem. Schelling’s Weltalter drafts belong to this same series, with their repeated attempt at the formulation of the ‘beginning of the world,’ of the passage from the pre-symbolic pulsation of the Real to the universe of logos.

F.W.J. Schelling, the German idealist who for too long dwelled in the shadow of Kant and Hegel, was the first to formulate the post-idealist motifs of finitude, contingency and temporality. His unique work announces Marx's critique of speculative idealism, as well as the properly Freudian notion of drive, of a blind compulsion to repeat which can never be sublated in the ideal medium of language.

The Indivisible Remainder begins with a detailed examination of the two works in which Schelling's speculative audacity reached its peak: his essay on human freedom and his drafts on the “Ages of the World.” After reconstituting their line of argumentation, Slavoj Žižek confronts Schelling with Hegel, and concludes by throwing a Schellingian light on some “related matters”: the consequences of the computerization of daily life for sexual experience; cynicism as today's predominant form of ideology; the epistemological deadlocks of quantum physics.

Although the book is packed with examples from politics and popular culture — the unmistakable token of Žižek’s style — from Speed and Groundhog Day to Forrest Gump, it signals a major shift towards a systematic concern with the basic questions of philosophy and the roots of the crisis of our late-capitalist universe, centred around the enigma of modern subjectivity.

The Neighbor: Three Inquiries in Political Theology

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In Civilization and Its Discontents, Freud made abundantly clear what he thought about the biblical injunction, first articulated in Leviticus 19:18 and then elaborated in Christian teachings, to love one's neighbor as oneself. “Let us adopt a naive attitude towards it,” he proposed, “as though we were hearing it for the first time; we shall be unable then to suppress a feeling of surprise and bewilderment.” After the horrors of World War II, the Holocaust, and Stalinism, Leviticus 19:18 seems even less conceivable—but all the more urgent now—than Freud imagined.

In The Neighbor, three of the most significant intellectuals working in psychoanalysis and critical theory collaborate to show how this problem of neighbor-love opens questions that are fundamental to ethical inquiry and that suggest a new theological configuration of political theory. Their three extended essays explore today's central historical problem: the persistence of the theological in the political. In “Toward a Political Theology of the Neighbor,” Kenneth Reinhard supplements Carl Schmitt’s political theology of the enemy and friend with a political theology of the neighbor based in psychoanalysis. In “Miracles Happen,” Eric L. Santner extends the book's exploration of neighbor-love through a bracing reassessment of Benjamin and Rosenzweig. And in an impassioned plea for ethical violence, Slavoj Žižek’s “Neighbors and Other Monsters” reconsiders the idea of excess to rehabilitate a positive sense of the inhuman and challenge the influence of Levinas on contemporary ethical thought.

A rich and suggestive account of the interplay between love and hate, self and other, personal and political, The Neighbor has proven to be a touchstone across the humanities and a crucial text for understanding the persistence of political theology in secular modernity.
 

The Puppet and the Dwarf: The Perverse Core of Christianity

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Slavoj Zizek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy.

The Monstrosity of Christ: Paradox or Dialectic?

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What matters is not so much that Žižek is endorsing a demythologized, disenchanted Christianity without transcendence, as that he is offering in the end (despite what he sometimes claims) a heterodox version of Christian belief.
—John Milbank

To put it even more bluntly, my claim is that it is Milbank who is effectively guilty of heterodoxy, ultimately of a regression to paganism: in my atheism, I am more Christian than Milbank.
—Slavoj Žižek

In this corner, philosopher Slavoj Žižek, who represents the critical-materialist stance against religion's illusions; in the other corner, "radical orthodox" theologian John Milbank, an influential and provocative thinker who argues that theology is the only foundation upon which knowledge, politics, and ethics can stand. In The Monstrosity of Christ, Žižek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have proven themselves worthy adversaries--and have also shown that faith and reason are not simply and intractably opposed.



Žižek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in The Monstrosity of Christ concerns nothing less than the future of religion, secularity, and political hope in light of a monsterful event—God becoming human. For the first time since Žižek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, universality, and the foundations of logic. The result goes far beyond the popularized atheist/theist point/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others.

Žižek begins, and Milbank answers, countering dialectics with "paradox." The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation.

Short Circuits series, edited by Slavoj Žižek

Opera's Second Death

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Opera's Second Death is a passionate exploration of opera - the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.

Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out

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The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch.

Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.

Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.

Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology

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In the space of barely more than five years, with the publication of four pathbreaking books, Slavoj Zizek has earned the reputation of being one of the most arresting, insightful, and scandalous thinkers in recent memory. Perhaps more than any other single author, his writings have constituted the most compelling evidence available for recognizing Jacques Lacan as the preemient philosopher of our time.

In Tarrying with the Negative, Zizek challenges the contemporary critique of ideology, and in doing so opens the way for a new understanding of social conflict, particularly the recent outbursts of nationalism and ethnic struggle. Are we, Zizek asks, confined to a postmodern universe in which truth is reduced to the contingent effect of various discursive practices and where our subjectivity is dispersed through a multitude of ideological positions? No is his answer, and the way out is a return to philosophy. This revisit to German Idealism allows Zizek to recast the critique of ideology as a tool for disclosing the dynamic of our society, a crucial aspect of which is the debate over nationalism, particularly as it has developed in the Balkans--Zizek's home. He brings the debate over nationalism into the sphere of contemporary cultural politics, breaking the impasse centered on nationalisms simultaneously fascistic and anticolonial aspirations. Provocatively, Zizek argues that what drives nationalistic and ethnic antagonism is a collectively driven refusal of our own enjoyment.

Using examples from popular culture and high theory to illuminate each other--opera, film noir, capitalist universalism, religious and ethnic fundamentalism--this work testifies to the fact that, far more radically than the postmodern sophists, Kant and Hegel are our contemporaries.

Iraq: The Borrowed Kettle

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Žižek analyzes the bizarre logic used to justify the attack on Iraq.

In order to render the strange logic of dreams, Freud quoted the old joke about the borrowed kettle: (1) I never borrowed a kettle from you, (2) I returned it to you unbroken, (3) the kettle was already broken when I got it from you. Such an enumeration of inconsistent arguments, of course, confirms exactly what it attempts to deny—that I returned a broken kettle to you.

That same inconsistency, Žižek argues, characterized the justification of the attack on Iraq: A link between Saddam’s regime and al-Qaeda was transformed into the threat posed by the regime to the region, which was then further transformed into the threat posed to everyone (but the US and Britain especially) by weapons of mass destruction. When no significant weapons were found, we were treated to the same bizarre logic: OK, the two labs we found don’t really prove anything, but even if there are no WMD in Iraq, there are other good reasons to topple a tyrant like Saddam ...

Iraq: The Borrowed Kettle – which can be considered as a sequel to Žižek's acclaimed post-9/11 Welcome to the Desert of the Real – analyzes the background that such inconsistent argumentation conceals and, simultaneously, cannot help but highlight: what were the actual ideological and political stakes of the attack on Iraq? In classic Žižekian style, it spares nothing and nobody, neither pathetically impotent pacifism nor hypocritical sympathy with the suffering of the Iraqi people.

The Plague of Fantasies by Slavoj Zizek

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The relations between fantasy and ideology, and the deluge of digital phantasms surrounding us.

Modern audiovisual media have spawned a 'plague of fantasies', electronically inspired phantasms that cloud the ability to reason and prevent a true understanding of a world increasingly dominated by abstractions—whether those of digital technology or the speculative market.

Into this arena, enters Žižek: equipped with an agile wit and the skills of a prodigious scholar, he confidently ranges among a dazzling array of cultural references—explicating Robert Schumann as deftly as he does John Carpenter—to demonstrate how the modern condition blinds us to the ideological basis of our lives.

Interrogating the Real by Slavoj Zizek

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Interrogating the Real is the first volume of the collected writings of Slavoj Žižek - undoubtedly one of the world's leading contemporary cultural commentators, and one of the most inspiring, provocative and entertaining cultural critics at work today. Drawing upon the full range of his prolific output, the articles here cover psychoanalysis, philosophy and popular culture, reflecting the remarkable breadth and depth of Žižek's interest in politics, culture and philosophy, and also showcasing his entertaining style. A full and clear sense of Žižekian philosophy emerges, derived from Hegelian dialectics, Marxist politics and Lacanian psychoanalysis. At the same time, Žižek's witty and accessible approach to his subject and his choice of exemplars from pop culture ensure that this is a consistently fresh and surprising body of work.

The book includes a new preface by Žižek himself, as well as an introduction by the editors and a helpful glossary for those coming to Žižek's work for the first time.


Table Of Contents

Preface by Slavoj Žižek
'The Thing Itself' Appears: Introducing the Work of Slavoj Žižek
Part One: Lacanian Orientations
1. The Society for Theoretical Psychoanalysis in Yugoslavia 2. Why Lavan is Hegelian
3. The Most Sublime of Hysterics: Hegel with Lacan
4. Connections of the Freudian Field to Philosophy and Popular Culture
5. Lacan between Cultural Studies and Cognitivism
Part Two: Philosophy Traversed by Psychoanalysis
6. The Limits of the Semiotic Approach to Psychoanalysis
7. A Hair of the Dog That Bit You
8. Hegel, Lacan, Deleuze: Three Strange Bedfellows
9. The Eclipse of Meaning: On Lacan and Deconstruction
10. The Parallax View Part Three: The Fantasy of Ideology 11. Between Symbolic Fiction and Fantasmic Spectre: Towards a Lacanian Theory of Ideology
12. Beyond Discourse Analysis
13. Re-visioning 'Lacanian' Social Criticism: The Law and its Obscene Double
14. Why is Wagner Worth Saving?
15. The Real of Sexual Difference
Glossary

For They Know Not What They Do: Enjoyment as a Political Factor

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The eminent philosopher explodes the roles of pleasure and desire in contemporary politics and culture.

Psychoanalysis is less merciful than Christianity. Where God the Father forgives our ignorance, psychoanalysis holds out no such hope. Ignorance is not a sufficient ground for forgiveness since it masks enjoyment; an enjoyment which erupts in those black holes in our symbolic universe that escape the Father's prohibition.

Today, with the disintegration of state socialism, we are witnessing this eruption of enjoymnet in the re-emergence of aggressive nationalism and racism. With the lid of repression lifted, the desires that have emerged are far from democratic. To explain this apparent paradox, says Slavoj Zizek, socialist critical thought must turn to psychoanalysis.

For They Know Not What They Do seeks to understand the status of enjoyment within ideological discourse, from Hegel through Lacan to these political and ideological deadlocks. The author's own enjoyment of “popular culture” makes this an engaging and lucid exposition, in which Hegel joins hands with Rossellini, Marx with Hitchcock, Lacan with Frankenstein, high theory with Hollywood melodrama.

God in Pain: Inversions of Apocalypse

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A brilliant dissection and reconstruction of the three major faith-based systems of belief in the world today, from one of the world's most articulate intellectuals, Slavoj Zizek, in conversation with Croatian philosopher Boris Gunjevic. In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity--and how the differences between the faiths may be far stranger than they may at first seem.

Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."

Cogito and the Unconscious (Series: SIC 2)

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The Cartesian cogito—the principle articulated by Descartes that "I think, therefore I am"—is often hailed as the precursor of modern science. At the same time, the cogito’s agent, the ego, is sometimes feared as the agency of manipulative domination responsible for all present woes, from patriarchal oppression to ecological catastrophes. Without psychoanalyzing philosophy, Cogito and the Unconscious explores the vicissitudes of the cogito and shows that psychoanalyses can render visible a constitutive madness within modern philosophy, the point at which "I think, therefore I am" becomes obsessional neurosis characterized by "If I stop thinking, I will cease to exist."

Noting that for Lacan the Cartesian construct is the same as the Freudian "subject of the unconscious," the contributors follow Lacan’s plea for a psychoanalytic return to the cogito. Along the path of this return, they examine the ethical attitude that befits modern subjectivity, the inherent sexualization of modern subjectivity, the impasse in which the Cartesian project becomes involved given the enigmatic status of the human body, and the Cartesian subject’s confrontation with its modern critics, including Althusser, Bataille, and Dennett. In a style that has become familiar to Zizek’s readers, these essays bring together a strict conceptual analysis and an approach to a wide range of cultural and ideological phenomena—from the sadist paradoxes of Kant’s moral philosophy to the universe of Ayn Rand’s novels, from the question "Which, if any, is the sex of the cogito?" to the defense of the cogito against the onslaught of cognitive sciences.

Challenging us to reconsider fundamental notions of human consciousness and modern subjectivity, this is a book whose very Lacanian orthodoxy makes it irreverently transgressive of predominant theoretical paradigms. Cogito and the Unconscious will appeal to readers interested in philosophy, psychoanalysis, cultural studies, and theories of ideology.

Contributors. Miran Bozovic, Mladen Dolar, Alain Grosrichard, Marc de Kessel, Robert Pfaller, Renata Salecl, Slavoj Zizek, Alenka Zupancic

Contingency, Hegemony, Universality: Contemporary Dialogues on the Left

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The Hegelian legacy, Left strategy, and post-structuralism versus Lacanian psychoanalysis.

What is the contemporary legacy of Gramsci's notion of Hegemony? How can universality be reformulated now that its spurious versions have been so thoroughly criticized? In this ground-breaking project, Judith Butler, Ernesto Laclau and Slavoj Zizek engage in a dialogue on central questions of contemporary philosophy and politics. Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a globalized economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory. While the rigor and intelligence with which these writers approach their work is formidable, Contingency, Hegemony, Universality benefits additionally from their clear sense of energy and enjoyment in a revealing and often unpredictable exchange.

Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)

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Hitchcock gets onto the analyst’s couch in this extraordinary volume of case studies.

The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that ‘everything has meaning,’ the authors examine the films’ ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning.

An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by philosopher Slavoj Žižek, presenter of Sophie Fiennes’s three-part documentary The Pervert’s Guide to Cinema.

With contributions by Pascal Bonitzer, Miran Božovič, Michel Chion, Mladen Dolar, Fredric Jameson, Stojan Pelko, Renata Salecl, and Alenka Zupančič

Mapping Ideology

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For a long time, the term ‘ideology’ was in disrepute, having become associated with such unfashionable notions as fundamental truth and the eternal verities. The tide has turned, and recent years have seen a revival of interest in the questions that ideology poses to social and cultural theory, and to political practice.

Mapping Ideology is a comprehensive reader covering the most important contemporary writing on the subject. Including Slavoj Žižek’s study of the development of the concept from Marx to the present, assessments of the contributions of Lukács and the Frankfurt School by Terry Eagleton, Peter Dews and Seyla Benhabib, and essays by Adorno, Lacan and Althusser, Mapping Ideology is an invaluable guide to the most dynamic field in cultural theory.

With contributions by Nicholas Abercrombie, Theodor Adorno, Louis Althusser, Michèle Barrett, Seyla Benhabib, Pierre Bourdieu, Peter Dews, Terry Eagleton, Stephen Hill, Fredric Jameson, Jacques Lacan, Michel Pécheux, Richard Rorty, Göran Therborn, and Bryan Turner

The Fragile Absolute: Or, Why Is the Christian Legacy Worth Fighting For?

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Argues that the subversive core of the Christian legacy forms the foundation of a politics of universal emancipation.

One of the signal features of our era is the re-emergence of the 'sacred' in all its different guises, from New Age paganism to the emerging religious sensitivity within cultural and political theory.

The wager of Zizek's The Fragile Absolute – published here with a new preface by the author – is that Christianity and Marxism can fight together against the contemporary onslought of vapid spiritualism. The revolutionary core of the Christian legacy is too precious to be left to the fundamentalists.

Lacan: The Silent Partners

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A dazzling re-evaluation of Jacques Lacan, uncovering his hidden inspirations.

Jacques Lacan is the foremost psychoanalytic theorist after Freud. Revolutionising the study of social relations, his work has been a major influence on political theory, philosophy, literature and the arts, but his thought has so far been studied without a serious investigation of its foundations. Just what are the influences on his thinking, so crucial to its proper understanding?

In Lacan: The Silent Partners Slavoj Žižek, the maverick theorist and pre-eminent Lacan scholar, has marshalled some of the greatest thinkers of our age in support of a dazzling re-evaluation of Lacan's work. Focussing on Lacan's 'silent partners', those who are the hidden inspiration to Lacanian theory, they discuss his work in relation to the Pre-Socratics, Diderot, Hegel, Nietzsche, Schelling, Hölderlin, Wagner, Turgenev, Kafka, Henry James and Artaud.

This major collection, including three essays by Žižek, marks a new era in the study of this unsettling thinker, breathing new life into his classic work.
With contributions by Alain Badiou, Bruno Bosteels, Miran Božovič, Lorenzo Chiesa, Joan Copjec, Mladen Dolar, Timothy C. Huson, Fredric Jameson, Adrian Johnston, Sigi Jöttkandt, Sylvia Ons, Robert Pfaller, and Alenka Zupančič

Hegel and the Infinite: Religion, Politics, and Dialectic

(Insurrections: Critical Studies in Religion, Politics, and Culture)



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Catherine Malabou, Antonio Negri, John D. Caputo, Bruno Bosteels, Mark C. Taylor, and Slavoj Zizek join seven others—including William Desmond, Katrin Pahl, Adrian Johnston, Edith Wyschogrod, and Thomas A. Lewis—to apply Hegel's thought to twenty-first-century philosophy, politics, and religion. Doing away with claims that the evolution of thought and history is at an end, these thinkers safeguard Hegel's innovations against irrelevance and, importantly, reset the distinction of secular and sacred.

These original contributions focus on Hegelian analysis and the transformative value of the philosopher's thought in relation to our current "turn to religion." Malabou develops Hegel's motif of confession in relation to forgiveness; Negri writes of Hegel's philosophy of right; Caputo reaffirms the radical theology made possible by Hegel; and Bosteels critiques fashionable readings of the philosopher and argues against the reducibility of his dialectic. Taylor reclaims Hegel's absolute as a process of infinite restlessness, and Zizek revisits the religious implications of Hegel's concept of letting go. Mirroring the philosopher's own trajectory, these essays progress dialectically through politics, theology, art, literature, philosophy, and science, traversing cutting-edge theoretical discourse and illuminating the ways in which Hegel inhabits them.

Žižek's Jokes: (Did you hear the one about Hegel and negation?)

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“A serious and good philosophical work could be written consisting entirely of jokes."—Ludwig Wittgenstein

The good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek’s Jokes contains the set-ups and punch lines—as well as the offenses and insults—that Žižek is famous for, all in less than 200 pages.

So what’s the bad news? There is no bad news. There’s just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida . . .“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache" classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let’s have some sex to refresh me!" A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene" version of the famous “aristocrats" joke has the family offering a short course in Hegelian thought rather than a display of unspeakables.

Žižek’s Jokes contains every joke cited, paraphrased, or narrated in Žižek’s work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek’s seriousness.

Philosophy in the Present

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Two controversial thinkers discuss a timeless but nonetheless urgent question: should philosophy interfere in the world?

Nothing less than philosophy is at stake because, according to Badiou, philosophy is nothing but interference and commitment and will not be restrained by academic discipline. Philosophy is strange and new, and yet speaks in the name of all - as Badiou shows with his theory of universality.

Similarly, Zizek believes that the philosopher must intervene, contrary to all expectations, in the key issues of the time. He can offer no direction, but this only shows that the question has been posed incorrectly: it is valid to change the terms of the debate and settle on philosophy as abnormality and excess.

At once an invitation to philosophy and an introduction to the thinking of two of the most topical and controversial philosophers writing today, this concise volume will be of great interest to students and general readers alike.

On Belief by Slavoj Zizek

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What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.

From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.

Organs without Bodies: On Deleuze and Consequences by Slavoj Zizek

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In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.

Living in the End Times by Slavoj Zizek

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Žižek analyzes the end of the world at the hands of the “four riders of the apocalypse.”

There should no longer be any doubt: global capitalism is fast approaching its terminal crisis. Slavoj Žižek has identified the four horsemen of this coming apocalypse: the worldwide ecological crisis; imbalances within the economic system; the biogenetic revolution; and exploding social divisions and ruptures. But, he asks, if the end of capitalism seems to many like the end of the world, how is it possible for Western society to face up to the end times?

In a major new analysis of our global situation, Žižek argues that our collective responses to economic Armageddon correspond to the stages of grief: ideological denial, explosions of anger and attempts at bargaining, followed by depression and withdrawal.

For this edition, Žižek has written a long afterword that leaves almost no subject untouched, from WikiLeaks to the nature of the Chinese Communist Party.

Did Somebody Say Totalitarianism?: Five Interventions in the (Mis)Use of a Notion

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Undermining the liberal-democratic consensus that enables the designation of totalitarianism.

In some circles, a nod towards totalitarianism is enough to dismiss any critique of the status quo. Such is the insidiousness of the neo-liberal ideology, argues Slavoj Žižek. Did Somebody Say Totalitarianism? turns a specious rhetorical strategy on its head to identify a network of family resemblances between totalitarianism and modern liberal democracy. Žižek argues that totalitarianism is invariably defined in terms of four things: the Holocaust as the ultimate, diabolical evil; the Stalinist gulag as the alleged truth of the socialist revolutionary project; ethnic and religious fundamentalisms, which are to be fought through multiculturalist tolerance; and the deconstructionist idea that the ultimate root of totalitarianism is the ontological closure of thought. Žižek concludes that the devil lies not so much in the detail but in what enables the very designation totalitarian: the liberal-democratic consensus itself.