Tuesday, March 4, 2014
Free Ebook: How to Read Lacan by Slavoj Zizek
The How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon. These books use excerpts from the major texts to explain essential topics, such as Jacques Lacan's core ideas about enjoyment, which re-created our concept of psychoanalysis.
Lacan’s motto of the ethics of psychoanalysis involves a profound paradox. Traditionally, psychoanalysis was expected to allow the patient to overcome the obstacles which prevented access to "normal" sexual enjoyment; today, however, we are bombarded by different versions of the injunction "Enjoy!" Psychoanalysis is the only discourse in which you are allowed not to enjoy.
Slavoj Žižek’s passionate defense of Lacan reasserts Lacan’s ethical urgency. For Lacan, psychoanalysis is a procedure of reading and each chapter reads a passage from Lacan as a tool to interpret another text from philosophy, art or popular ideology.
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How to Read Lacan by Slavoj Zizek
1. Introduction
2. Empty Gestures and Performatives: Lacan Confronts the CIA Plot
3. The Interpassive Subject: Lacan Turns a Prayer Wheel
4. From Che vuoi? to Fantasy: Lacan with Eyes Wide Shut
5. Troubles with the Real: Lacan as a Viewer of Alien
6. Ego Ideal and Superego: Lacan as Viewer of Casablanca
7. "God is Dead, but He Doesn't Know It": Lacan Plays with Bobok
8. The Perverse Subject of Politics: Lacan as a Reader of Mohammad Bouyeri
Free Ebook: Organs without Bodies: On Deleuze and Consequences by Slavoj Zizek
In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.
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Organs without Bodies: On Deleuze and Consequences
1. The Reality of the Virtual
2. Becoming versus History
3. Becoming-machine
4. le siècle empiriomoniste
5. Quasi-Cause
Monday, March 3, 2014
First As Tragedy, Then As Farce
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From the tragedy of 9/11 to the farce of the financial meltdown.
Billions of dollars have been hastily poured into the global banking system in a frantic attempt at financial stabilization. So why has it not been possible to bring the same forces to bear in addressing world poverty and environmental crisis?
In this take-no-prisoners analysis, Slavoj Zizek frames the moral failures of the modern world in terms of the epoch-making events of the first decade of this century. What he finds is the old one-two punch of history: the jab of tragedy, the right hook of farce. In the attacks of 9/11 and the global credit crunch, liberalism dies twice: as a political doctrine and as an economic theory.
First as Tragedy, Then as Farce is a call for the Left to reinvent itself in the light of our desperate historical situation. The time for liberal, moralistic blackmail is over.
In Defense of Lost Causes
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Acclaimed, adrenalin-fuelled manifesto for universal values.
In this combative major new work, philosophical sharpshooter Slavoj Zizek looks for the kernel of truth in the totalitarian politics of the past.
Examining Heidegger's seduction by fascism and Foucault's flirtation with the Iranian Revolution, he suggests that these were the 'right steps in the wrong direction.' On the revolutionary terror of Robespierre, Mao and the bolsheviks, Zizek argues that while these struggles ended in historic failure and horror, there was a valuable core of idealism lost beneath the bloodshed.
A redemptive vision has been obscured by the soft, decentralized politics of the liberal-democratic consensus. Faced with the coming ecological crisis, Zizekk argues the case for revolutionary terror and the dictatorship of the proletariat. A return to past ideals is needed despite the risks. In the words of Samuel Beckett: 'Try again. Fail again. Fail better.'
The Parallax View
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The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.
Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Zizek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism.
The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
The Abyss of Freedom/Ages of the World
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An essay by philosopher Slavoj Zizek, with an English translation of Schelling's beautiful and evocative Ages of the World, second draft
In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.
Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.
The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory—which claims that the symbolic universe emerged from presymbolic drives—is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.
Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.
Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates
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Probing beneath the level of TV punditry, Žižek offers a highly original and readable account that serves as a fascinating and insightful comprehension of the events of September 11.
Liberals and conservatives proclaim the end of the American holiday from history. Now the easy games are over; one should take sides. Žižek argues this is precisely the temptation to be resisted. In such moments of apparently clear choices, the real alternatives are most hidden. Welcome to the Desert of the Real steps back, complicating the choices imposed on us. It proposes that global capitalism is fundamentalist and that America was complicit in the rise of Muslim fundamentalism. It points to our dreaming about the catastrophe in numerous disaster movies before it happened, and explores the irony that the tragedy has been used to legitimize torture. Last but not least it analyzes the fiasco of the predominant leftist response to the events.
The Metastases of Enjoyment: On Women and Casuality
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The status of women and the role of violence in contemporary culture and politics.
The experience of the Yugoslav war and the rise of "irrational" violence in contemporary societies provides the theoretical and political context of this book, which uses Lacanian psychoanalysis as the basis for a renewal of the Marxist theory of ideology. The author's analysis leads into a study of the figure of woman in modern art and ideology, including studies of The Crying Game and the films of David Lynch, and the links between violence and power/gender relations.
Looking Awry: An Introduction to Jacques Lacan Through Popular Culture
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Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead - a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.
Zizek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject - at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.Slavoj Zizek is a Researcher in the Institute of Sociology at the University of Ljubljana, Yugoslavia. His work has been published in France and in Yugoslavia where, running as a proreform candidate, he narrowly missed being elected to the presidency of the republic of Slovenia.
Sunday, March 2, 2014
Conversations with Zizek
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In this new book, Slavoj Žižek and Glyn Daly engage in a series of entertaining conversations which illustrate the originality of Žižek’s thinking on psychoanalysis, philosophy, multiculturalism, popular/cyber culture, totalitarianism, ethics and politics.
- An excellent introduction to one of the most engaging and controversial cultural theorists writing today.
- Žižek is a Slovenian sociologist who trained as a Lacanian and uses Lacan to analyse popular culture and politics.
- Illustrates the originality of Žižek’s thinking on psychoanalysis, philosophy, multi-culturalism, popular/cyber culture, totalitarianism, ethics and politics.
- Provides a unique glimpse of Žižek’s humour and character and offers new material and fresh perspectives which will be of interest to followers of Žižek’s writings.
Table of Contents
Introduction.
1. Contexts and horizons: Opening the Space of Philosophy.
2. The Madness of Reason: Encounters of the Real Kind.
3. Subject of Modernity: Virtuality and the Fragility of the Real.
4. Tolerance and the Intolerable: Enjoyment, Ethics and Event.
5. Miracles do happen: Globalization(s) and Politics
The Indivisible Remainder: On Schelling and Related Matters
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Confronts Schelling with Hegel, and illuminates popular culture and modern subjectivity.
The feature which distinguishes the great works of materialist thought, from Lucretius’ De rerum natura through Capital to the writings of Lacan, is their unfinished character: again and again they tackle their chosen problem. Schelling’s Weltalter drafts belong to this same series, with their repeated attempt at the formulation of the ‘beginning of the world,’ of the passage from the pre-symbolic pulsation of the Real to the universe of logos.
F.W.J. Schelling, the German idealist who for too long dwelled in the shadow of Kant and Hegel, was the first to formulate the post-idealist motifs of finitude, contingency and temporality. His unique work announces Marx's critique of speculative idealism, as well as the properly Freudian notion of drive, of a blind compulsion to repeat which can never be sublated in the ideal medium of language.
The Indivisible Remainder begins with a detailed examination of the two works in which Schelling's speculative audacity reached its peak: his essay on human freedom and his drafts on the “Ages of the World.” After reconstituting their line of argumentation, Slavoj Žižek confronts Schelling with Hegel, and concludes by throwing a Schellingian light on some “related matters”: the consequences of the computerization of daily life for sexual experience; cynicism as today's predominant form of ideology; the epistemological deadlocks of quantum physics.
Although the book is packed with examples from politics and popular culture — the unmistakable token of Žižek’s style — from Speed and Groundhog Day to Forrest Gump, it signals a major shift towards a systematic concern with the basic questions of philosophy and the roots of the crisis of our late-capitalist universe, centred around the enigma of modern subjectivity.
The Neighbor: Three Inquiries in Political Theology
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In Civilization and Its Discontents, Freud made abundantly clear what he thought about the biblical injunction, first articulated in Leviticus 19:18 and then elaborated in Christian teachings, to love one's neighbor as oneself. “Let us adopt a naive attitude towards it,” he proposed, “as though we were hearing it for the first time; we shall be unable then to suppress a feeling of surprise and bewilderment.” After the horrors of World War II, the Holocaust, and Stalinism, Leviticus 19:18 seems even less conceivable—but all the more urgent now—than Freud imagined.
In The Neighbor, three of the most significant intellectuals working in psychoanalysis and critical theory collaborate to show how this problem of neighbor-love opens questions that are fundamental to ethical inquiry and that suggest a new theological configuration of political theory. Their three extended essays explore today's central historical problem: the persistence of the theological in the political. In “Toward a Political Theology of the Neighbor,” Kenneth Reinhard supplements Carl Schmitt’s political theology of the enemy and friend with a political theology of the neighbor based in psychoanalysis. In “Miracles Happen,” Eric L. Santner extends the book's exploration of neighbor-love through a bracing reassessment of Benjamin and Rosenzweig. And in an impassioned plea for ethical violence, Slavoj Žižek’s “Neighbors and Other Monsters” reconsiders the idea of excess to rehabilitate a positive sense of the inhuman and challenge the influence of Levinas on contemporary ethical thought.
A rich and suggestive account of the interplay between love and hate, self and other, personal and political, The Neighbor has proven to be a touchstone across the humanities and a crucial text for understanding the persistence of political theology in secular modernity.
The Puppet and the Dwarf: The Perverse Core of Christianity
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Slavoj Zizek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy.
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The Monstrosity of Christ: Paradox or Dialectic?
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What matters is not so much that Žižek is endorsing a demythologized, disenchanted Christianity without transcendence, as that he is offering in the end (despite what he sometimes claims) a heterodox version of Christian belief.
—John Milbank
To put it even more bluntly, my claim is that it is Milbank who is effectively guilty of heterodoxy, ultimately of a regression to paganism: in my atheism, I am more Christian than Milbank.
—Slavoj Žižek
In this corner, philosopher Slavoj Žižek, who represents the critical-materialist stance against religion's illusions; in the other corner, "radical orthodox" theologian John Milbank, an influential and provocative thinker who argues that theology is the only foundation upon which knowledge, politics, and ethics can stand. In The Monstrosity of Christ, Žižek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have proven themselves worthy adversaries--and have also shown that faith and reason are not simply and intractably opposed.
Žižek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in The Monstrosity of Christ concerns nothing less than the future of religion, secularity, and political hope in light of a monsterful event—God becoming human. For the first time since Žižek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, universality, and the foundations of logic. The result goes far beyond the popularized atheist/theist point/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others.
Žižek begins, and Milbank answers, countering dialectics with "paradox." The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation.
Short Circuits series, edited by Slavoj Žižek
Opera's Second Death
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Opera's Second Death is a passionate exploration of opera - the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.
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Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out
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The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch.
Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.
Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology
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In the space of barely more than five years, with the publication of four pathbreaking books, Slavoj Zizek has earned the reputation of being one of the most arresting, insightful, and scandalous thinkers in recent memory. Perhaps more than any other single author, his writings have constituted the most compelling evidence available for recognizing Jacques Lacan as the preemient philosopher of our time.
In Tarrying with the Negative, Zizek challenges the contemporary critique of ideology, and in doing so opens the way for a new understanding of social conflict, particularly the recent outbursts of nationalism and ethnic struggle. Are we, Zizek asks, confined to a postmodern universe in which truth is reduced to the contingent effect of various discursive practices and where our subjectivity is dispersed through a multitude of ideological positions? No is his answer, and the way out is a return to philosophy. This revisit to German Idealism allows Zizek to recast the critique of ideology as a tool for disclosing the dynamic of our society, a crucial aspect of which is the debate over nationalism, particularly as it has developed in the Balkans--Zizek's home. He brings the debate over nationalism into the sphere of contemporary cultural politics, breaking the impasse centered on nationalisms simultaneously fascistic and anticolonial aspirations. Provocatively, Zizek argues that what drives nationalistic and ethnic antagonism is a collectively driven refusal of our own enjoyment.
Using examples from popular culture and high theory to illuminate each other--opera, film noir, capitalist universalism, religious and ethnic fundamentalism--this work testifies to the fact that, far more radically than the postmodern sophists, Kant and Hegel are our contemporaries.
Iraq: The Borrowed Kettle
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Žižek analyzes the bizarre logic used to justify the attack on Iraq.
In order to render the strange logic of dreams, Freud quoted the old joke about the borrowed kettle: (1) I never borrowed a kettle from you, (2) I returned it to you unbroken, (3) the kettle was already broken when I got it from you. Such an enumeration of inconsistent arguments, of course, confirms exactly what it attempts to deny—that I returned a broken kettle to you.
That same inconsistency, Žižek argues, characterized the justification of the attack on Iraq: A link between Saddam’s regime and al-Qaeda was transformed into the threat posed by the regime to the region, which was then further transformed into the threat posed to everyone (but the US and Britain especially) by weapons of mass destruction. When no significant weapons were found, we were treated to the same bizarre logic: OK, the two labs we found don’t really prove anything, but even if there are no WMD in Iraq, there are other good reasons to topple a tyrant like Saddam ...
Iraq: The Borrowed Kettle – which can be considered as a sequel to Žižek's acclaimed post-9/11 Welcome to the Desert of the Real – analyzes the background that such inconsistent argumentation conceals and, simultaneously, cannot help but highlight: what were the actual ideological and political stakes of the attack on Iraq? In classic Žižekian style, it spares nothing and nobody, neither pathetically impotent pacifism nor hypocritical sympathy with the suffering of the Iraqi people.
The Plague of Fantasies by Slavoj Zizek
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The relations between fantasy and ideology, and the deluge of digital phantasms surrounding us.
Modern audiovisual media have spawned a 'plague of fantasies', electronically inspired phantasms that cloud the ability to reason and prevent a true understanding of a world increasingly dominated by abstractions—whether those of digital technology or the speculative market.
Into this arena, enters Žižek: equipped with an agile wit and the skills of a prodigious scholar, he confidently ranges among a dazzling array of cultural references—explicating Robert Schumann as deftly as he does John Carpenter—to demonstrate how the modern condition blinds us to the ideological basis of our lives.
Interrogating the Real by Slavoj Zizek
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Interrogating the Real is the first volume of the collected writings of Slavoj Žižek - undoubtedly one of the world's leading contemporary cultural commentators, and one of the most inspiring, provocative and entertaining cultural critics at work today. Drawing upon the full range of his prolific output, the articles here cover psychoanalysis, philosophy and popular culture, reflecting the remarkable breadth and depth of Žižek's interest in politics, culture and philosophy, and also showcasing his entertaining style. A full and clear sense of Žižekian philosophy emerges, derived from Hegelian dialectics, Marxist politics and Lacanian psychoanalysis. At the same time, Žižek's witty and accessible approach to his subject and his choice of exemplars from pop culture ensure that this is a consistently fresh and surprising body of work.
The book includes a new preface by Žižek himself, as well as an introduction by the editors and a helpful glossary for those coming to Žižek's work for the first time.
Table Of Contents
Preface by Slavoj Žižek
'The Thing Itself' Appears: Introducing the Work of Slavoj Žižek
Part One: Lacanian Orientations
1. The Society for Theoretical Psychoanalysis in Yugoslavia 2. Why Lavan is Hegelian
3. The Most Sublime of Hysterics: Hegel with Lacan
4. Connections of the Freudian Field to Philosophy and Popular Culture
5. Lacan between Cultural Studies and Cognitivism
Part Two: Philosophy Traversed by Psychoanalysis
6. The Limits of the Semiotic Approach to Psychoanalysis
7. A Hair of the Dog That Bit You
8. Hegel, Lacan, Deleuze: Three Strange Bedfellows
9. The Eclipse of Meaning: On Lacan and Deconstruction
10. The Parallax View Part Three: The Fantasy of Ideology 11. Between Symbolic Fiction and Fantasmic Spectre: Towards a Lacanian Theory of Ideology
12. Beyond Discourse Analysis
13. Re-visioning 'Lacanian' Social Criticism: The Law and its Obscene Double
14. Why is Wagner Worth Saving?
15. The Real of Sexual Difference
Glossary
For They Know Not What They Do: Enjoyment as a Political Factor
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The eminent philosopher explodes the roles of pleasure and desire in contemporary politics and culture.
Psychoanalysis is less merciful than Christianity. Where God the Father forgives our ignorance, psychoanalysis holds out no such hope. Ignorance is not a sufficient ground for forgiveness since it masks enjoyment; an enjoyment which erupts in those black holes in our symbolic universe that escape the Father's prohibition.
Today, with the disintegration of state socialism, we are witnessing this eruption of enjoymnet in the re-emergence of aggressive nationalism and racism. With the lid of repression lifted, the desires that have emerged are far from democratic. To explain this apparent paradox, says Slavoj Zizek, socialist critical thought must turn to psychoanalysis.
For They Know Not What They Do seeks to understand the status of enjoyment within ideological discourse, from Hegel through Lacan to these political and ideological deadlocks. The author's own enjoyment of “popular culture” makes this an engaging and lucid exposition, in which Hegel joins hands with Rossellini, Marx with Hitchcock, Lacan with Frankenstein, high theory with Hollywood melodrama.
God in Pain: Inversions of Apocalypse
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A brilliant dissection and reconstruction of the three major faith-based systems of belief in the world today, from one of the world's most articulate intellectuals, Slavoj Zizek, in conversation with Croatian philosopher Boris Gunjevic. In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity--and how the differences between the faiths may be far stranger than they may at first seem.
Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."
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Cogito and the Unconscious (Series: SIC 2)
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The Cartesian cogito—the principle articulated by Descartes that "I think, therefore I am"—is often hailed as the precursor of modern science. At the same time, the cogito’s agent, the ego, is sometimes feared as the agency of manipulative domination responsible for all present woes, from patriarchal oppression to ecological catastrophes. Without psychoanalyzing philosophy, Cogito and the Unconscious explores the vicissitudes of the cogito and shows that psychoanalyses can render visible a constitutive madness within modern philosophy, the point at which "I think, therefore I am" becomes obsessional neurosis characterized by "If I stop thinking, I will cease to exist."
Noting that for Lacan the Cartesian construct is the same as the Freudian "subject of the unconscious," the contributors follow Lacan’s plea for a psychoanalytic return to the cogito. Along the path of this return, they examine the ethical attitude that befits modern subjectivity, the inherent sexualization of modern subjectivity, the impasse in which the Cartesian project becomes involved given the enigmatic status of the human body, and the Cartesian subject’s confrontation with its modern critics, including Althusser, Bataille, and Dennett. In a style that has become familiar to Zizek’s readers, these essays bring together a strict conceptual analysis and an approach to a wide range of cultural and ideological phenomena—from the sadist paradoxes of Kant’s moral philosophy to the universe of Ayn Rand’s novels, from the question "Which, if any, is the sex of the cogito?" to the defense of the cogito against the onslaught of cognitive sciences.
Challenging us to reconsider fundamental notions of human consciousness and modern subjectivity, this is a book whose very Lacanian orthodoxy makes it irreverently transgressive of predominant theoretical paradigms. Cogito and the Unconscious will appeal to readers interested in philosophy, psychoanalysis, cultural studies, and theories of ideology.
Contributors. Miran Bozovic, Mladen Dolar, Alain Grosrichard, Marc de Kessel, Robert Pfaller, Renata Salecl, Slavoj Zizek, Alenka Zupancic
Contingency, Hegemony, Universality: Contemporary Dialogues on the Left
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The Hegelian legacy, Left strategy, and post-structuralism versus Lacanian psychoanalysis.
What is the contemporary legacy of Gramsci's notion of Hegemony? How can universality be reformulated now that its spurious versions have been so thoroughly criticized? In this ground-breaking project, Judith Butler, Ernesto Laclau and Slavoj Zizek engage in a dialogue on central questions of contemporary philosophy and politics. Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a globalized economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory. While the rigor and intelligence with which these writers approach their work is formidable, Contingency, Hegemony, Universality benefits additionally from their clear sense of energy and enjoyment in a revealing and often unpredictable exchange.
Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)
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Hitchcock gets onto the analyst’s couch in this extraordinary volume of case studies.
The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that ‘everything has meaning,’ the authors examine the films’ ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning.
An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by philosopher Slavoj Žižek, presenter of Sophie Fiennes’s three-part documentary The Pervert’s Guide to Cinema.
With contributions by Pascal Bonitzer, Miran Božovič, Michel Chion, Mladen Dolar, Fredric Jameson, Stojan Pelko, Renata Salecl, and Alenka Zupančič
Mapping Ideology
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For a long time, the term ‘ideology’ was in disrepute, having become associated with such unfashionable notions as fundamental truth and the eternal verities. The tide has turned, and recent years have seen a revival of interest in the questions that ideology poses to social and cultural theory, and to political practice.
Mapping Ideology is a comprehensive reader covering the most important contemporary writing on the subject. Including Slavoj Žižek’s study of the development of the concept from Marx to the present, assessments of the contributions of Lukács and the Frankfurt School by Terry Eagleton, Peter Dews and Seyla Benhabib, and essays by Adorno, Lacan and Althusser, Mapping Ideology is an invaluable guide to the most dynamic field in cultural theory.
With contributions by Nicholas Abercrombie, Theodor Adorno, Louis Althusser, Michèle Barrett, Seyla Benhabib, Pierre Bourdieu, Peter Dews, Terry Eagleton, Stephen Hill, Fredric Jameson, Jacques Lacan, Michel Pécheux, Richard Rorty, Göran Therborn, and Bryan Turner
The Fragile Absolute: Or, Why Is the Christian Legacy Worth Fighting For?
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Argues that the subversive core of the Christian legacy forms the foundation of a politics of universal emancipation.
One of the signal features of our era is the re-emergence of the 'sacred' in all its different guises, from New Age paganism to the emerging religious sensitivity within cultural and political theory.
The wager of Zizek's The Fragile Absolute – published here with a new preface by the author – is that Christianity and Marxism can fight together against the contemporary onslought of vapid spiritualism. The revolutionary core of the Christian legacy is too precious to be left to the fundamentalists.
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Lacan: The Silent Partners
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A dazzling re-evaluation of Jacques Lacan, uncovering his hidden inspirations.
Jacques Lacan is the foremost psychoanalytic theorist after Freud. Revolutionising the study of social relations, his work has been a major influence on political theory, philosophy, literature and the arts, but his thought has so far been studied without a serious investigation of its foundations. Just what are the influences on his thinking, so crucial to its proper understanding?
In Lacan: The Silent Partners Slavoj Žižek, the maverick theorist and pre-eminent Lacan scholar, has marshalled some of the greatest thinkers of our age in support of a dazzling re-evaluation of Lacan's work. Focussing on Lacan's 'silent partners', those who are the hidden inspiration to Lacanian theory, they discuss his work in relation to the Pre-Socratics, Diderot, Hegel, Nietzsche, Schelling, Hölderlin, Wagner, Turgenev, Kafka, Henry James and Artaud.
This major collection, including three essays by Žižek, marks a new era in the study of this unsettling thinker, breathing new life into his classic work.
With contributions by Alain Badiou, Bruno Bosteels, Miran Božovič, Lorenzo Chiesa, Joan Copjec, Mladen Dolar, Timothy C. Huson, Fredric Jameson, Adrian Johnston, Sigi Jöttkandt, Sylvia Ons, Robert Pfaller, and Alenka Zupančič
Hegel and the Infinite: Religion, Politics, and Dialectic
(Insurrections: Critical Studies in Religion, Politics, and Culture)
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Catherine Malabou, Antonio Negri, John D. Caputo, Bruno Bosteels, Mark C. Taylor, and Slavoj Zizek join seven others—including William Desmond, Katrin Pahl, Adrian Johnston, Edith Wyschogrod, and Thomas A. Lewis—to apply Hegel's thought to twenty-first-century philosophy, politics, and religion. Doing away with claims that the evolution of thought and history is at an end, these thinkers safeguard Hegel's innovations against irrelevance and, importantly, reset the distinction of secular and sacred.
These original contributions focus on Hegelian analysis and the transformative value of the philosopher's thought in relation to our current "turn to religion." Malabou develops Hegel's motif of confession in relation to forgiveness; Negri writes of Hegel's philosophy of right; Caputo reaffirms the radical theology made possible by Hegel; and Bosteels critiques fashionable readings of the philosopher and argues against the reducibility of his dialectic. Taylor reclaims Hegel's absolute as a process of infinite restlessness, and Zizek revisits the religious implications of Hegel's concept of letting go. Mirroring the philosopher's own trajectory, these essays progress dialectically through politics, theology, art, literature, philosophy, and science, traversing cutting-edge theoretical discourse and illuminating the ways in which Hegel inhabits them.
Buy Hegel and the Infinite here.
Catherine Malabou, Antonio Negri, John D. Caputo, Bruno Bosteels, Mark C. Taylor, and Slavoj Zizek join seven others—including William Desmond, Katrin Pahl, Adrian Johnston, Edith Wyschogrod, and Thomas A. Lewis—to apply Hegel's thought to twenty-first-century philosophy, politics, and religion. Doing away with claims that the evolution of thought and history is at an end, these thinkers safeguard Hegel's innovations against irrelevance and, importantly, reset the distinction of secular and sacred.
These original contributions focus on Hegelian analysis and the transformative value of the philosopher's thought in relation to our current "turn to religion." Malabou develops Hegel's motif of confession in relation to forgiveness; Negri writes of Hegel's philosophy of right; Caputo reaffirms the radical theology made possible by Hegel; and Bosteels critiques fashionable readings of the philosopher and argues against the reducibility of his dialectic. Taylor reclaims Hegel's absolute as a process of infinite restlessness, and Zizek revisits the religious implications of Hegel's concept of letting go. Mirroring the philosopher's own trajectory, these essays progress dialectically through politics, theology, art, literature, philosophy, and science, traversing cutting-edge theoretical discourse and illuminating the ways in which Hegel inhabits them.
Žižek's Jokes: (Did you hear the one about Hegel and negation?)
Buy Žižek's Jokes here.
“A serious and good philosophical work could be written consisting entirely of jokes."—Ludwig Wittgenstein
The good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek’s Jokes contains the set-ups and punch lines—as well as the offenses and insults—that Žižek is famous for, all in less than 200 pages.
So what’s the bad news? There is no bad news. There’s just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida . . .“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache" classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let’s have some sex to refresh me!" A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene" version of the famous “aristocrats" joke has the family offering a short course in Hegelian thought rather than a display of unspeakables.
Žižek’s Jokes contains every joke cited, paraphrased, or narrated in Žižek’s work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek’s seriousness.
Philosophy in the Present
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Two controversial thinkers discuss a timeless but nonetheless urgent question: should philosophy interfere in the world?
Nothing less than philosophy is at stake because, according to Badiou, philosophy is nothing but interference and commitment and will not be restrained by academic discipline. Philosophy is strange and new, and yet speaks in the name of all - as Badiou shows with his theory of universality.
Similarly, Zizek believes that the philosopher must intervene, contrary to all expectations, in the key issues of the time. He can offer no direction, but this only shows that the question has been posed incorrectly: it is valid to change the terms of the debate and settle on philosophy as abnormality and excess.
At once an invitation to philosophy and an introduction to the thinking of two of the most topical and controversial philosophers writing today, this concise volume will be of great interest to students and general readers alike.
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On Belief by Slavoj Zizek
Buy On Belief by Slavoj Zizek here.
What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.
From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.
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Organs without Bodies: On Deleuze and Consequences by Slavoj Zizek
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In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.
Living in the End Times by Slavoj Zizek
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Žižek analyzes the end of the world at the hands of the “four riders of the apocalypse.”
There should no longer be any doubt: global capitalism is fast approaching its terminal crisis. Slavoj Žižek has identified the four horsemen of this coming apocalypse: the worldwide ecological crisis; imbalances within the economic system; the biogenetic revolution; and exploding social divisions and ruptures. But, he asks, if the end of capitalism seems to many like the end of the world, how is it possible for Western society to face up to the end times?
In a major new analysis of our global situation, Žižek argues that our collective responses to economic Armageddon correspond to the stages of grief: ideological denial, explosions of anger and attempts at bargaining, followed by depression and withdrawal.
For this edition, Žižek has written a long afterword that leaves almost no subject untouched, from WikiLeaks to the nature of the Chinese Communist Party.
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Did Somebody Say Totalitarianism?: Five Interventions in the (Mis)Use of a Notion
Buy Did Somebody Say Totalitarianism? here.
Undermining the liberal-democratic consensus that enables the designation of totalitarianism.
In some circles, a nod towards totalitarianism is enough to dismiss any critique of the status quo. Such is the insidiousness of the neo-liberal ideology, argues Slavoj Žižek. Did Somebody Say Totalitarianism? turns a specious rhetorical strategy on its head to identify a network of family resemblances between totalitarianism and modern liberal democracy. Žižek argues that totalitarianism is invariably defined in terms of four things: the Holocaust as the ultimate, diabolical evil; the Stalinist gulag as the alleged truth of the socialist revolutionary project; ethnic and religious fundamentalisms, which are to be fought through multiculturalist tolerance; and the deconstructionist idea that the ultimate root of totalitarianism is the ontological closure of thought. Žižek concludes that the devil lies not so much in the detail but in what enables the very designation totalitarian: the liberal-democratic consensus itself.
Thursday, February 27, 2014
The Ticklish Subject: The Absent Centre of Political Ontology by Slavoj Zizek
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A specter is haunting Western thought, the specter of the Cartesian subject.
The Ticklish Subject: The Absent Centre of Political Ontology: A specter is haunting Western thought, the specter of the Cartesian subject. In this book Slavoj Zizek unearths a subversive core to this elusive specter, and finds within it the indispensable philosophical point of reference for any genuinely emancipatory project.
Wednesday, February 26, 2014
Revolution at the Gates: Zizek on Lenin, the 1917 Writings
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Lenin’s 1917 writings—Žižek asks if he can be reinvented for our era of “cultural capitalism”
The idea of a Lenin renaissance might well provoke an outburst of sarcastic laughter. Marx is OK, but Lenin? Doesn’t he stand for the big catastrophe which left its mark on the entire twentieth-century?
Lenin, however, deserves wider consideration than this, and his writings of 1917 are testament to a formidable political figure. They reveal his ability to grasp the significance of an extraordinary moment in history. Everything is here, from Lenin-the-ingenious-revolutionary-strategist to Lenin-of-the-enacted-utopia. To use Kierkegaard’s phrase, what we can glimpse in these writings is Lenin-in-becoming: not yet Lenin-the-Soviet-institution, but Lenin thrown into an open, contingent situation.
In Revolution at the Gates, Slavoj Zizek locates the 1917 writings in their historical context, while his afterword tackles the key question of whether Lenin can be reinvented in our era of “cultural capitalism.” Zizek is convinced that, whatever the discussion—the forthcoming crisis of capitalism, the possibility of a redemptive violence, the falsity of liberal tolerance—Lenin’s time has come again.
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Slavoj Zizek: The Leninist Freedom
from Slavoj Zizek’s On Belief (2001)
This Leninist freedom of choice — not “Life or money!” but “Life or
critique!” — combined with Lenin’s dismissive attitude towards the
“liberal” notion of freedom, accounts for his bad reputation among
liberals. Their case largely rests upon their rejection of the standard
Marxist-Leninist opposition of “formal” and “actual” freedom: as even
Leftist liberals like Claude Lefort emphasize again and again, freedom
is in its very notion “formal,” so that “actual freedom” equals the lack
of freedom.” That is to say, with regard to freedom, Lenin is best
remembered for his famous retort “Freedom yes, but for WHOM? To do
WHAT?” — for him, in the case of the Mensheviks quoted above, their
“freedom” to criticize the Bolshevik government effectively amounted to
“freedom” to undermine the workers’ and peasants’ government on behalf
of the counter-revolution ... Today, is it not obvious after the
terrifying experience of Really Existing Socialism, where the fault of
this reasoning resides? First, it reduces a historical constellation to a
closed, fully contextualized, situation in which the “objective”
consequences of one’s acts are fully determined (“independently of your
intentions, what you are doing now objectively serves . . . “); second,
the position of enunciation of such statements usurps the right to
decide what your acts “objectively mean,” so that their apparent 11
objectivism” (the focus on “objective meaning”) is the form of
appearance of its opposite, the thorough subjectivism: I decide what
your acts objectively mean, since I define the context of a situation
(say, if I conceive of my power as the immediate equivalent/expression
of the power of the working class, then everyone who opposes me is
“objectively” an enemy of the working class).
Against this full contextualization, one should emphasize that freedom is “actual” precisely and only as the capacity to “transcend” the coordinates of a given situation, to “posit the presuppositions” of one’s activity (as Hegel would have put it), i.e. to redefine the very situation within which one is active. Furthermore, as many a critic pointed out, the very term “Really Existing Socialism,” although it was coined in order to assert Socialism’s success, is in itself a proof of Socialism’s utter failure, i.e. of the failure of the attempt to legitimize Socialist regimes — the term “Really Existing Socialism” popped up at the historical moment when the only legitimizing reason for Socialism was a mere fact that it exists . . . “
Is this, however, the whole story? How does freedom effectively function in liberal democracies themselves? Although Clinton’s presidency epitomizes the Third Way of today’s (ex-)Left succumbing to the Rightist ideological blackmail, his health-care reform program would nonetheless amount to a kind of act, at least in today’s conditions, since it would have been based on the rejection of the hegemonic notions of the need to curtail Big State expenditure and administration — in a way, it would “do the impossible.” No wonder, then, that it failed: its failure — perhaps the only significant, although negative, event of Clinton’s presidency bears witness to the material force of the ideological notion of “free choice.” That is to say, although the large majority of the so-called “ordinary people” were not properly acquainted with the reform program, the medical lobby (twice as strong as the infamous defense lobby!) succeeded in imposing on the public the fundamental idea that, with universal health-care free choice (in matters concerning medicine) will be somehow threatened — against this purely fictional reference to “free choice”, all enumeration of “hard facts” (in Canada, health-care is less expensive and more effective, with no less free choice, etc.) proved ineffective.
Here we are at the very nerve center of the liberal ideology: freedom of choice, grounded in the notion of the “psychological” subject endowed with propensities he or she strives to realize. This especially holds today, in the era of what sociologists like Ulrich Beck call “risk society,” when the ruling ideology endeavors to sell us the insecurity caused by the dismantling of the Welfare State as the opportunity for new freedoms: you have to change jobs every year, relying on short-term contracts instead of a long-term stable appointment. Why not see it as the liberation from the constraints of a fixed job, as the chance to reinvent yourself again and again, to become aware of and realize hidden potentials of your personality? You can no longer rely on the standard health insurance and retirement plan, so that you have to opt for additional coverage for which you have to pay. Why not perceive it as an additional opportunity to choose: either better life now or long-term security? And if this predicament causes you anxiety, the postmodern or “second modernity” ideologist will immediately accuse you of being unable to assume full freedom, of the “escape from freedom,” of the immature sticking to old stable forms ... Even better, when this is inscribed into the ideology of the subject as the psychological individual pregnant with natural abilities and tendencies, then 1 as it were automatically interpret all these changes as the results of my personality, not as the result of me being thrown around by market forces.
Phenomena like these make it all the more necessary today to REASSERT the opposition of “formal” and “actual” freedom in a new, more precise, sense. What we need today, in the era of liberal hegemony, is a “Leninist” traité de la servitude libérale, a new version of la Boétie’s Traiti de la servitude volontaire that would fully justify the apparent oxymoron “liberal totalitarianism.” In experimental psychology, Jean-Léon Beauvois took the first step in this direction with his precise exploration of the paradoxes of conferring on the subject the freedom to choose. Repeated experiments established the following paradox: if, AFTER getting from two groups of volunteers the agreement to participate in an experiment, one informs them that the experiment will involve something unpleasant, against their ethics even, and if, at this point, one reminds the first group that they have the free choice to say no, and says nothing to the other group, in BOTH groups, the SAME (very high) percentage will agree to continue their participation in the experiment.
What this means is that conferring the formal freedom of choice does not make any difference: those given the freedom will do the same thing as those (implicitly) denied it. This, however, does not mean that the reminder/bestowal of the freedom of choice does not make any difference: those given the freedom to choose will not only tend to choose the same as those denied it; they will tend to “rationalize” their “free” decision to continue to participate in the experiment — unable to endure the so-called cognitive dissonance (their awareness that they FREELY acted against their interests, propensities, tastes or norms), they will tend to change their opinion about the act they were asked to accomplish.
Let us say that an individual is first asked to participate in an experiment that concerns changing eating habits in order to fight against famine; then, after agreeing to do it, at the first encounter in the laboratory, he will be asked to swallow a living worm, with the explicit reminder that, if he finds this act repulsive, he can, of course, say no, since he has the complete freedom to choose. In most cases, he will do it, and then rationalize it by way of saying to himself something like: “What I am asked to do IS disgusting, but I am not a coward, 1 should display some courage and self-control, otherwise scientists will perceive me as a weak person who pulls out at the first minor obstacle! Furthermore, a worm does have a lot of proteins and it could effectively be used to feed the poor who am 1 to hinder such an important experiment because of my petty sensitivity? And, finally, maybe my disgust of worms is just a prejudice, maybe a worm is not so bad — and would tasting it not be a new and daring experience? What if it will enable me to discover an unexpected, slightly perverse, dimension of myself that 1 was hitherto unaware of?”
Beauvois enumerates three modes of what brings people to accomplish such an act which runs against their perceived propensities and/or interests: authoritarian (the pure command “You should do it because I say so, without questioning it!”, sustained by the reward if the subject does it and the punishment if he does not do it), totalitarian (the reference to some higher Cause or common Good which is larger than the subject’s perceived interest: “You should do it because, even if it is unpleasant, it serves our Nation, Party, Humanity!”), and liberal (the reference to the subject’s inner nature itself. “What is asked of you may appear repulsive, but look deep into yourself and you will discover that it’s in your true nature to do it, you will find it attractive, you will become aware of new, unexpected, dimensions of your personality!”).
At this point, Beauvois should be corrected: a direct authoritarianism is practically nonexistent — even the most oppressive regime publicly legitimizes its reign with the reference to some Higher Good, and the fact that, ultimately, “you have to obey because I say so” reverberates only as its obscene supplement discernible between the lines. It is rather the specificity of the standard authoritarianism to refer to some higher Good (“whatever your inclinations are, you have to follow my order for the sake of the higher Good!”), while totalitarianism, like liberalism, interpellates the subject on behalf of HIS OWN good (“what may appear to you as an external pressure, is really the expression of your objective interests, of what you REALLY WANT without being aware of it! “). The difference between the two resides elsewhere: totalitarianism” imposes on the subject his or her own good, even if it is against his or her will — recall King Charles’ (in)famous statement: “If any shall be so foolishly unnatural s to oppose their king, their country and their own good, we will make them happy, by God’s blessing — even against their wills. “ (Charles I to the Earl of Essex, 6 August 1 644. ) Here we encounter the later Jacobin theme of happiness as a political factor, as well as the Saint-Justian idea of forcing people to be happy ... Liberalism tries to avoid (or, rather, cover up) this paradox by way of clinging to the end to the fiction of the subject’s immediate free self-perception (“I don’t claim to know better than you what you want — just look deep into yourself and decide freely what you want!”).
The reason for this fault in Beauvois’s line of argumentation is that he fails to recognize how the abyssal tautological authority (“It is so because 1 say so!” of the Master) does not work only because of the sanctions (punishment/reward) it implicitly or explicitly evokes. That is to say, what, effectively, makes a subject freely choose what is imposed on him against his interests and/or propensities? Here, the empirical inquiry into “pathological” (in the Kantian sense of the term) motivations is not sufficient: the enunciation of an injunction that imposes on its addressee a symbolic engagement/ commitment evinces an inherent force of its own, so that what seduces us into obeying it is the very feature that may appear to be an obstacle — the absence of a “why.” Here, Lacan can be of some help: the Lacanian “Master-Signifier” designates precisely this hypnotic force of the symbolic injunction which relies only on its own act of enunciation — it is here that we encounter “symbolic efficiency” at its purest. The three ways of legitimizing the exercise of authority (“authoritarian,” “totalitarian,” “liberal”) are nothing but three ways of covering up, of blinding us to the seductive power of the abyss of this empty call. In a way, liberalism is here even the worst of the three, since it NATURALIZES the reasons for obedience into the subject’s internal psychological structure. So the paradox is that “liberal” subjects are in a way those least free: they change the very opinion/perception of themselves, accepting what was IMPOSED on them as originating in their “nature” — they are even no longer AWARE of their subordination.
Let us take the situation in the Eastern European countries around 1990, when Really Existing Socialism was falling apart: all of a sudden, people were thrown into a situation of the “freedom of political choice” — however, were they REALLY at any point asked the fundamental question of what kind of new order they actually wanted? Is it not that they found themselves in the exact situation of the subject-victim of a Beauvois experiment? They were first told that they were entering the promised land of political freedom; then, soon afterwards, they were informed that this freedom involved wild privatization, the dismantling of the system of social security, etc. etc. — they still have the freedom to choose, so if they want, they can step out; but, no, our heroic Eastern Europeans didn’t want to disappoint their Western mentors, they stoically persisted in the choice they never made, convincing themselves that they should behave as mature subjects who are aware that freedom has its price ... This is why the notion of the psychological subject endowed with natural propensities, who has to realize its true Self and its potentials, and who is, consequently, ultimately responsible for his failure or success, is the key ingredient of liberal freedom. And here one should risk reintroducing the Leninist opposition of “formal” and “actual” freedom: in an act of actual freedom, one dares precisely to BREAK the seductive power of symbolic efficiency. Therein resides the moment of truth of Lenin’s acerbic retort to his Menshevik critics: the truly free choice is a choice in which I do not merely choose between two or more options WITHIN a pre-given set of coordinates, but I choose to change this set of coordinates itself The catch of the “transition” from Really Existing Socialism to capitalism was that people never had the chance to choose the ad quem of this transition — all of a sudden, they were (almost literally) “thrown” into a new situation in which they were presented with a new set of given choices (pure liberalism, nationalist conservatism ... ). What this means is that the “actual freedom” as the act of consciously changing this set occurs only when, in the situation of a forced choice, one ACTS AS IF THE CHOICE IS NOT FORCED and “chooses the impossible.”
This is what Lenin’s obsessive tirades against “formal” freedom are about, therein resides their “rational kernel” which is worth saving today: when he emphasizes that there is no “pure” democracy, that we should always ask who does a freedom under consideration serve, which is its role in the class struggle, his point is precisely to maintain the possibility of the TRUE radical choice.
This is what the distinction between “formal” and “actual” freedom ultimately amounts to: “formal” freedom is the freedom of choice WITHIN the coordinates of the existing power relations, while “actual” freedom designates the site of an intervention which undermines these very coordinates. In short, Lenin’s point is not to limit freedom of choice, but to maintain the fundamental Choice — when Lenin asks about the role of a freedom within the class struggle, what he is asking is precisely: “Does this freedom contribute to or constrain the fundamental revolutionary Choice?”
The most popular TV show of the fall of 2000 in France, with the viewer rating two times higher than that of the notorious “Big Brother” reality soaps, was “C'est mon choix” (“It is my choice”) on France 3, the talk show whose guest is an ordinary (or, exceptionally, a well-known) person who made a peculiar choice which determined his or her entire life-style: one of them decided never to wear underwear, another tries to find a more appropriate sexual partner for his father and mother — extravagance is allowed, solicited even, but with the explicit exclusion of the choices which may disturb the public (for example, a person whose choice is to be and act as a racist, is a priori excluded). Can one imagine a better predicament of what the “freedom of choice” effectively amounts to in our liberal societies? We can go on making our small choices, “reinvesting ourselves” thoroughly, on condition that these choices do not seriously disturb the social and ideological balance. For “C'est mon choix,” the truly radical thing would have been to focus precisely on the “disturbing” choices: to invite as guests people like dedicated racists, i.e. people whose choice (whose difference) DOES make a difference. This, also, is the reason why, today, “democracy” is more and more a false issue, a notion so discredited by its predominant use that, perhaps, one should take the risk of abandoning it to the enemy. Where, how, by whom are the key decisions concerning global social issues made? Are they made in the public space, through the engaged participation of the majority? If the answer is yes, it is of secondary importance if the state has a one-party system, etc. If the answer is no, it is of secondary importance if we have parliamentary democracy and freedom of individual choice.
Did something homologous to the invention of the liberal psychological individual not take place in the Soviet Union in the late 1920s and early 1930s? The Russian avant-garde art of the early 1920s (futurism, constructivism) not only zealously endorsed industrialization, it even endeavored to reinvent a new industrial man — no longer the old man of sentimental passions and roots in traditions, but the new man who gladly accepts his role as a bolt or screw in the gigantic coordinated industrial Machine. As such, it was subversive in its very “ultra-orthodoxy,” i.e. in its over-identification with the core of the official ideology: the image of man that we get in Eisenstein, Meyerhold, constructivist paintings, etc., emphasizes the beauty of his/her mechanical movements, his/her thorough depsychologization. What was perceived in the West as the ultimate nightmare of liberal individualism, as the ideological counterpoint to “Taylorization,” to Fordist ribbon-work, was in Russia hailed as the utopian prospect of liberation: recall how Meyerhold violently asserted the “behaviorist” approach to acting — no longer emphatic familiarization with the person the actor is playing, but ruthless bodily training aimed at cold bodily discipline, at the ability of the actor to perform a series of mechanized movements . . .” THIS is what was unbearable to AND IN the official Stalinist ideology, so that the Stalinist “socialist realism” effectively WAS an attempt to reassert a “Socialism with a human face,” i.e. to reinscribe the process of industrialization within the constraints of the traditional psychological individual: in the Socialist Realist texts, paintings and films, individuals are no longer rendered as parts of the global Machine, but as warm, passionate persons.
The obvious reproach that imposes itself here is, of course: is the basic characteristic of today’s “postmodern” subject not the exact opposite of the free subject who experienced himself as ultimately responsible for his fate, namely the subject who grounds the authority of his speech on his status of a victim of circumstances beyond his control? Every contact with another human being is experienced as a potential threat — if the other smokes, if he casts a covetous glance at me, he already hurts me; this logic of victimization is today universalized, reaching well beyond the standard cases of sexual or racist harassment — recall the growing financial industry of paying damage claims, from the tobacco industry deal in the USA and the financial claims of the Holocaust victims and forced laborers in Nazi Germany, and the idea that the USA should pay the African-Americans hundreds of billions of dollars for all they were deprived of due to their past slavery ... This notion of the subject as an irresponsible victim involves the extreme Narcissistic perspective from which every encounter with the Other appears as a potential threat to the subject’s precarious imaginary balance; as such, it is not the opposite, but, rather, the inherent supplement of the liberal free subject: in today’s predominant form of individuality, the self-centered assertion of the psychological subject paradoxically overlaps with the perception of oneself as a victim of circumstances.
pp 113 to 124 reproduced from On Belief.
The Leninist Freedom
How, then, do things stand with freedom? Here is how Lenin stated his position in a polemic against the Menshevik and Socialist-Revolutionaries’ critique of Bolshevik power in 1922:
Indeed, the sermons which ... the Mensheviks and
Socialist-Revolutionaries preach express their true nature: “The
revolution has gone too far What you are saying now we have been saying
at[ the time, permit us to say it again.” But we say in reply: “Permit
us to put you before a firing squad for saying that. Either you refrain
from expressing your views, or, if you insist on expressing your
political views publicly in the present circumstances, when our position
is far more difficult than it was when the white guards were directly
attacking us, then you will have only yourselves to blame if we treat
you as the worst and most pernicious white guard elements."”
Against this full contextualization, one should emphasize that freedom is “actual” precisely and only as the capacity to “transcend” the coordinates of a given situation, to “posit the presuppositions” of one’s activity (as Hegel would have put it), i.e. to redefine the very situation within which one is active. Furthermore, as many a critic pointed out, the very term “Really Existing Socialism,” although it was coined in order to assert Socialism’s success, is in itself a proof of Socialism’s utter failure, i.e. of the failure of the attempt to legitimize Socialist regimes — the term “Really Existing Socialism” popped up at the historical moment when the only legitimizing reason for Socialism was a mere fact that it exists . . . “
Is this, however, the whole story? How does freedom effectively function in liberal democracies themselves? Although Clinton’s presidency epitomizes the Third Way of today’s (ex-)Left succumbing to the Rightist ideological blackmail, his health-care reform program would nonetheless amount to a kind of act, at least in today’s conditions, since it would have been based on the rejection of the hegemonic notions of the need to curtail Big State expenditure and administration — in a way, it would “do the impossible.” No wonder, then, that it failed: its failure — perhaps the only significant, although negative, event of Clinton’s presidency bears witness to the material force of the ideological notion of “free choice.” That is to say, although the large majority of the so-called “ordinary people” were not properly acquainted with the reform program, the medical lobby (twice as strong as the infamous defense lobby!) succeeded in imposing on the public the fundamental idea that, with universal health-care free choice (in matters concerning medicine) will be somehow threatened — against this purely fictional reference to “free choice”, all enumeration of “hard facts” (in Canada, health-care is less expensive and more effective, with no less free choice, etc.) proved ineffective.
Here we are at the very nerve center of the liberal ideology: freedom of choice, grounded in the notion of the “psychological” subject endowed with propensities he or she strives to realize. This especially holds today, in the era of what sociologists like Ulrich Beck call “risk society,” when the ruling ideology endeavors to sell us the insecurity caused by the dismantling of the Welfare State as the opportunity for new freedoms: you have to change jobs every year, relying on short-term contracts instead of a long-term stable appointment. Why not see it as the liberation from the constraints of a fixed job, as the chance to reinvent yourself again and again, to become aware of and realize hidden potentials of your personality? You can no longer rely on the standard health insurance and retirement plan, so that you have to opt for additional coverage for which you have to pay. Why not perceive it as an additional opportunity to choose: either better life now or long-term security? And if this predicament causes you anxiety, the postmodern or “second modernity” ideologist will immediately accuse you of being unable to assume full freedom, of the “escape from freedom,” of the immature sticking to old stable forms ... Even better, when this is inscribed into the ideology of the subject as the psychological individual pregnant with natural abilities and tendencies, then 1 as it were automatically interpret all these changes as the results of my personality, not as the result of me being thrown around by market forces.
Phenomena like these make it all the more necessary today to REASSERT the opposition of “formal” and “actual” freedom in a new, more precise, sense. What we need today, in the era of liberal hegemony, is a “Leninist” traité de la servitude libérale, a new version of la Boétie’s Traiti de la servitude volontaire that would fully justify the apparent oxymoron “liberal totalitarianism.” In experimental psychology, Jean-Léon Beauvois took the first step in this direction with his precise exploration of the paradoxes of conferring on the subject the freedom to choose. Repeated experiments established the following paradox: if, AFTER getting from two groups of volunteers the agreement to participate in an experiment, one informs them that the experiment will involve something unpleasant, against their ethics even, and if, at this point, one reminds the first group that they have the free choice to say no, and says nothing to the other group, in BOTH groups, the SAME (very high) percentage will agree to continue their participation in the experiment.
What this means is that conferring the formal freedom of choice does not make any difference: those given the freedom will do the same thing as those (implicitly) denied it. This, however, does not mean that the reminder/bestowal of the freedom of choice does not make any difference: those given the freedom to choose will not only tend to choose the same as those denied it; they will tend to “rationalize” their “free” decision to continue to participate in the experiment — unable to endure the so-called cognitive dissonance (their awareness that they FREELY acted against their interests, propensities, tastes or norms), they will tend to change their opinion about the act they were asked to accomplish.
Let us say that an individual is first asked to participate in an experiment that concerns changing eating habits in order to fight against famine; then, after agreeing to do it, at the first encounter in the laboratory, he will be asked to swallow a living worm, with the explicit reminder that, if he finds this act repulsive, he can, of course, say no, since he has the complete freedom to choose. In most cases, he will do it, and then rationalize it by way of saying to himself something like: “What I am asked to do IS disgusting, but I am not a coward, 1 should display some courage and self-control, otherwise scientists will perceive me as a weak person who pulls out at the first minor obstacle! Furthermore, a worm does have a lot of proteins and it could effectively be used to feed the poor who am 1 to hinder such an important experiment because of my petty sensitivity? And, finally, maybe my disgust of worms is just a prejudice, maybe a worm is not so bad — and would tasting it not be a new and daring experience? What if it will enable me to discover an unexpected, slightly perverse, dimension of myself that 1 was hitherto unaware of?”
Beauvois enumerates three modes of what brings people to accomplish such an act which runs against their perceived propensities and/or interests: authoritarian (the pure command “You should do it because I say so, without questioning it!”, sustained by the reward if the subject does it and the punishment if he does not do it), totalitarian (the reference to some higher Cause or common Good which is larger than the subject’s perceived interest: “You should do it because, even if it is unpleasant, it serves our Nation, Party, Humanity!”), and liberal (the reference to the subject’s inner nature itself. “What is asked of you may appear repulsive, but look deep into yourself and you will discover that it’s in your true nature to do it, you will find it attractive, you will become aware of new, unexpected, dimensions of your personality!”).
At this point, Beauvois should be corrected: a direct authoritarianism is practically nonexistent — even the most oppressive regime publicly legitimizes its reign with the reference to some Higher Good, and the fact that, ultimately, “you have to obey because I say so” reverberates only as its obscene supplement discernible between the lines. It is rather the specificity of the standard authoritarianism to refer to some higher Good (“whatever your inclinations are, you have to follow my order for the sake of the higher Good!”), while totalitarianism, like liberalism, interpellates the subject on behalf of HIS OWN good (“what may appear to you as an external pressure, is really the expression of your objective interests, of what you REALLY WANT without being aware of it! “). The difference between the two resides elsewhere: totalitarianism” imposes on the subject his or her own good, even if it is against his or her will — recall King Charles’ (in)famous statement: “If any shall be so foolishly unnatural s to oppose their king, their country and their own good, we will make them happy, by God’s blessing — even against their wills. “ (Charles I to the Earl of Essex, 6 August 1 644. ) Here we encounter the later Jacobin theme of happiness as a political factor, as well as the Saint-Justian idea of forcing people to be happy ... Liberalism tries to avoid (or, rather, cover up) this paradox by way of clinging to the end to the fiction of the subject’s immediate free self-perception (“I don’t claim to know better than you what you want — just look deep into yourself and decide freely what you want!”).
The reason for this fault in Beauvois’s line of argumentation is that he fails to recognize how the abyssal tautological authority (“It is so because 1 say so!” of the Master) does not work only because of the sanctions (punishment/reward) it implicitly or explicitly evokes. That is to say, what, effectively, makes a subject freely choose what is imposed on him against his interests and/or propensities? Here, the empirical inquiry into “pathological” (in the Kantian sense of the term) motivations is not sufficient: the enunciation of an injunction that imposes on its addressee a symbolic engagement/ commitment evinces an inherent force of its own, so that what seduces us into obeying it is the very feature that may appear to be an obstacle — the absence of a “why.” Here, Lacan can be of some help: the Lacanian “Master-Signifier” designates precisely this hypnotic force of the symbolic injunction which relies only on its own act of enunciation — it is here that we encounter “symbolic efficiency” at its purest. The three ways of legitimizing the exercise of authority (“authoritarian,” “totalitarian,” “liberal”) are nothing but three ways of covering up, of blinding us to the seductive power of the abyss of this empty call. In a way, liberalism is here even the worst of the three, since it NATURALIZES the reasons for obedience into the subject’s internal psychological structure. So the paradox is that “liberal” subjects are in a way those least free: they change the very opinion/perception of themselves, accepting what was IMPOSED on them as originating in their “nature” — they are even no longer AWARE of their subordination.
Let us take the situation in the Eastern European countries around 1990, when Really Existing Socialism was falling apart: all of a sudden, people were thrown into a situation of the “freedom of political choice” — however, were they REALLY at any point asked the fundamental question of what kind of new order they actually wanted? Is it not that they found themselves in the exact situation of the subject-victim of a Beauvois experiment? They were first told that they were entering the promised land of political freedom; then, soon afterwards, they were informed that this freedom involved wild privatization, the dismantling of the system of social security, etc. etc. — they still have the freedom to choose, so if they want, they can step out; but, no, our heroic Eastern Europeans didn’t want to disappoint their Western mentors, they stoically persisted in the choice they never made, convincing themselves that they should behave as mature subjects who are aware that freedom has its price ... This is why the notion of the psychological subject endowed with natural propensities, who has to realize its true Self and its potentials, and who is, consequently, ultimately responsible for his failure or success, is the key ingredient of liberal freedom. And here one should risk reintroducing the Leninist opposition of “formal” and “actual” freedom: in an act of actual freedom, one dares precisely to BREAK the seductive power of symbolic efficiency. Therein resides the moment of truth of Lenin’s acerbic retort to his Menshevik critics: the truly free choice is a choice in which I do not merely choose between two or more options WITHIN a pre-given set of coordinates, but I choose to change this set of coordinates itself The catch of the “transition” from Really Existing Socialism to capitalism was that people never had the chance to choose the ad quem of this transition — all of a sudden, they were (almost literally) “thrown” into a new situation in which they were presented with a new set of given choices (pure liberalism, nationalist conservatism ... ). What this means is that the “actual freedom” as the act of consciously changing this set occurs only when, in the situation of a forced choice, one ACTS AS IF THE CHOICE IS NOT FORCED and “chooses the impossible.”
This is what Lenin’s obsessive tirades against “formal” freedom are about, therein resides their “rational kernel” which is worth saving today: when he emphasizes that there is no “pure” democracy, that we should always ask who does a freedom under consideration serve, which is its role in the class struggle, his point is precisely to maintain the possibility of the TRUE radical choice.
This is what the distinction between “formal” and “actual” freedom ultimately amounts to: “formal” freedom is the freedom of choice WITHIN the coordinates of the existing power relations, while “actual” freedom designates the site of an intervention which undermines these very coordinates. In short, Lenin’s point is not to limit freedom of choice, but to maintain the fundamental Choice — when Lenin asks about the role of a freedom within the class struggle, what he is asking is precisely: “Does this freedom contribute to or constrain the fundamental revolutionary Choice?”
The most popular TV show of the fall of 2000 in France, with the viewer rating two times higher than that of the notorious “Big Brother” reality soaps, was “C'est mon choix” (“It is my choice”) on France 3, the talk show whose guest is an ordinary (or, exceptionally, a well-known) person who made a peculiar choice which determined his or her entire life-style: one of them decided never to wear underwear, another tries to find a more appropriate sexual partner for his father and mother — extravagance is allowed, solicited even, but with the explicit exclusion of the choices which may disturb the public (for example, a person whose choice is to be and act as a racist, is a priori excluded). Can one imagine a better predicament of what the “freedom of choice” effectively amounts to in our liberal societies? We can go on making our small choices, “reinvesting ourselves” thoroughly, on condition that these choices do not seriously disturb the social and ideological balance. For “C'est mon choix,” the truly radical thing would have been to focus precisely on the “disturbing” choices: to invite as guests people like dedicated racists, i.e. people whose choice (whose difference) DOES make a difference. This, also, is the reason why, today, “democracy” is more and more a false issue, a notion so discredited by its predominant use that, perhaps, one should take the risk of abandoning it to the enemy. Where, how, by whom are the key decisions concerning global social issues made? Are they made in the public space, through the engaged participation of the majority? If the answer is yes, it is of secondary importance if the state has a one-party system, etc. If the answer is no, it is of secondary importance if we have parliamentary democracy and freedom of individual choice.
Did something homologous to the invention of the liberal psychological individual not take place in the Soviet Union in the late 1920s and early 1930s? The Russian avant-garde art of the early 1920s (futurism, constructivism) not only zealously endorsed industrialization, it even endeavored to reinvent a new industrial man — no longer the old man of sentimental passions and roots in traditions, but the new man who gladly accepts his role as a bolt or screw in the gigantic coordinated industrial Machine. As such, it was subversive in its very “ultra-orthodoxy,” i.e. in its over-identification with the core of the official ideology: the image of man that we get in Eisenstein, Meyerhold, constructivist paintings, etc., emphasizes the beauty of his/her mechanical movements, his/her thorough depsychologization. What was perceived in the West as the ultimate nightmare of liberal individualism, as the ideological counterpoint to “Taylorization,” to Fordist ribbon-work, was in Russia hailed as the utopian prospect of liberation: recall how Meyerhold violently asserted the “behaviorist” approach to acting — no longer emphatic familiarization with the person the actor is playing, but ruthless bodily training aimed at cold bodily discipline, at the ability of the actor to perform a series of mechanized movements . . .” THIS is what was unbearable to AND IN the official Stalinist ideology, so that the Stalinist “socialist realism” effectively WAS an attempt to reassert a “Socialism with a human face,” i.e. to reinscribe the process of industrialization within the constraints of the traditional psychological individual: in the Socialist Realist texts, paintings and films, individuals are no longer rendered as parts of the global Machine, but as warm, passionate persons.
The obvious reproach that imposes itself here is, of course: is the basic characteristic of today’s “postmodern” subject not the exact opposite of the free subject who experienced himself as ultimately responsible for his fate, namely the subject who grounds the authority of his speech on his status of a victim of circumstances beyond his control? Every contact with another human being is experienced as a potential threat — if the other smokes, if he casts a covetous glance at me, he already hurts me; this logic of victimization is today universalized, reaching well beyond the standard cases of sexual or racist harassment — recall the growing financial industry of paying damage claims, from the tobacco industry deal in the USA and the financial claims of the Holocaust victims and forced laborers in Nazi Germany, and the idea that the USA should pay the African-Americans hundreds of billions of dollars for all they were deprived of due to their past slavery ... This notion of the subject as an irresponsible victim involves the extreme Narcissistic perspective from which every encounter with the Other appears as a potential threat to the subject’s precarious imaginary balance; as such, it is not the opposite, but, rather, the inherent supplement of the liberal free subject: in today’s predominant form of individuality, the self-centered assertion of the psychological subject paradoxically overlaps with the perception of oneself as a victim of circumstances.
pp 113 to 124 reproduced from On Belief.
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